Kate Banazi Soft Landing Exhibition 2022 Archives - Page 2 of 2 - Curatorial+Co.

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Showing 13–15 of 15 resultsSorted by latest

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New Typography Tender Quest

KATE BANAZI
AU$4,200
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Soft Landing

KATE BANAZI
AU$13,000
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Tongue Tied

KATE BANAZI
AU$1,900

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ART CONSULTANCY HIGHLIGHT. This NAIDOC Week, we ar

ART CONSULTANCY HIGHLIGHT. This NAIDOC Week, we are honoured to look back on 'Following the Pathways', an 88m² mural by acclaimed artist @dennisgolding commissioned by Curatorial+Co. for @intermain’s Alexandria workspace.⁠
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The artwork honours the Gadigal and Bidjigal people of the Eora Nation through patterns inspired by water, native bush pods, meeting places, and ongoing cultural knowledge. A blue pond flows onto the floor, creating a sacred space to stand and acknowledge Country.⁠
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Explore this project via the link in bio!⁠
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PROJECT: Intermain HQ, Sydney⁠
ARTIST: @dennisgolding⁠
CLIENT: @intermain⁠
DESIGNER: @bvnarchitecture⁠
MURALIST: @the_art_of_wall⁠
COVER PHOTO: @martinsiegner.studio⁠
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Video courtesy of Intermain.⁠
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#NAIDOCWeek2025 #FirstNationsArt #IndigenousArt #ArtAndCulture #PublicArt #SydneyArtConsultant #ArtMeetsArchitecture #CulturalConnection #Mural #RAP #LargScaleArtwork #ContemporaryArt #SydneyGallery

Proud Gumbaynggir and Bundjalung artist, Charmaine

Proud Gumbaynggir and Bundjalung artist, Charmaine Davis, creates work that is deeply connected to culture, homelands, and family. 'Heading South Landscape I + II' are reflections of a spiritual connection to Country. Through ancestral links, family, identity, and community Charmaine tells not only her own story, but that of her lineage and people.⁠
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⚫️ Explore Davis' available work via the link in bio.⁠
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Says Davis of these works, “The landscapes of Country have been my inspiration. Conveying the lay of the land and First Nations people’s connection to place. Rivers and mountains are themes that have always run through my work. A sense of place also is important in my works. That sense of belonging is very powerful. Grounds you.⁠
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“Connection to history and Country has always grounded my practice within a deeply authentic place. I am tracing over the landscapes with my brush, feeling my way into the mystery of our lives and the places our families have lived."⁠
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@charmainedavis.artist @naidocweek #NAIDOC2025 #NAIDOCWeek #StrengthVisionLegacy #sydneyexhibition #sydneygallery #eora #firstnationsart #indigenousart #contemporaryart

ON SHOW. As part of a special presentation in part

ON SHOW. As part of a special presentation in partnership with the National Indigenous Art Fair, co-curated by Nioka Lowe-Brennan, Curatorial+Co. is incredibly honoured to hold a selection of Bagu and share their story, courtesy of Girringun Aboriginal Art Centre.⁠
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⚫️ These incredible Bagu are available to view in our Woolloomooloo gallery through till 19 July, or online via the link in bio.⁠
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The form and imagery of the Bagu with Jiman artwork has its origins in the sky. A mystical spirit of fire would throw the Jiman (firesticks) across the sky, and a trail of fire would follow.⁠ Based on the traditional fire-making implements of the Girringun rainforest Aboriginal people, the artists have created artworks made from clay, timber and string to evoke the spirit of the old people.⁠
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Traditionally, the firesticks were made up of two parts: the Bagu (body) and Jiman (sticks). Bagu is normally made from the boogadilla (milky pine tree), and Jiman are made from mudja (wild guava tree) or jiman. The Bagu form was founded in the shape of a man, and a spirit design was created with traditional clays, and the ochre colours are magera yellow, jillan, black with wallaby blood, and garba white.⁠
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Featured work:⁠
1. Nancy Beeron, 'Bunyaydinyu Bagu', ceramic, pigment + fibre, 40 x 22 x 6 cm⁠
2. Sandra Escott, 'Bagu 2', ceramic + pigment, 40 x 17 x 6 cm⁠
3. Philip Denham, 'Bagu 4', ceramic, pigment and fibre, 24.5 x 13 x 5.5 cm⁠
4. George Beeron Snr., 'Buni Bagu', ceramic, pigment and fibre, 40 x 17.4 x 5 cm⁠
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@girringunart @nationalindigenousartfair @niokaraine #FirstNationsart #Indigenousart #ArtCentres #NAIDOC #NAIDOCWeek #NIAF #nationalindigenousartfair #sydneyexhibition #sydneygallery

ON SHOW. Gladys Lewis is one of the newest members

ON SHOW. Gladys Lewis is one of the newest members of the Epenarra Artists. Her work spans delicately dotted landscapes of Iytewelepenty (the Davenport Ranges) and striking suspended pieces crafted from found materials, mainly car parts, adorned with vibrant dotting.⁠
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Featured artwork: 'Bush Medicine', acrylic on canvas, 31 x 41cm. Courtesy of Barkly Regional Arts.⁠
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Presented in partnership with the National Indigenous Art Fair and co-curated by emerging Dunghutti/Gomeroi curator Nioka Lowe-Brennan, 'The Colour of Country' will be on show in our Woolloomooloo gallery till 19 July. and online via the link in bio.⁠
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@nationalindigenousartfair @niokaraine @artistsofbarkley #FirstNationsart #Indigenousart #ArtCentres #NAIDOC #NAIDOCWeek #NIAF #nationalindigenousartfair #sydneyexhibition #sydneygallery

We are honoured to look back on this phenomenal ar

We are honoured to look back on this phenomenal art consultancy project from 2023 in which Urban Logistics Co. engaged Curatorial+Co. to enliven their traditionally banal logistics warehouses across Sydney through large-scale artworks, starting with their Rockdale premises.⁠
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⚫️ Explore our art consultancy and get in touch via the link in bio.⁠
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The 200m2 mural by First Nations and Hungarian artist Tiarna Herczeg commands the entrance of the South Sydney estate as part of the repositioning of their Rockdale location, the mammoth artwork spans an impressive 8m in height and 25m in width, titled 'Here in the Shade + Ripe' which tell the story of Country, celebrates culture and engages community.⁠
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CLIENT: @urbanlogisticsco⁠
ARTIST: @tiarna.herczeg⁠
INSTALLATION: @the_art_of_wall⁠
TIMELAPSE: @raygunmedia⁠
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#publicart #mural #firstnationsart #artconsultancy #sydneygallery #emergingartist #contemporaryart #sydneydevelopment

This NAIDOC Week, we honour "The Next Generation:

This NAIDOC Week, we honour "The Next Generation: Strength, Vision & Legacy" - a celebration of young First Nations voices shaping our future with creativity, resilience and pride.⁠ NAIDOC Week 2025 marks a powerful milestone - 50 years of honouring and elevating Indigenous voices, culture, and resilience, with this year's theme celebrating not only the achievements of the past but the bright future ahead, empowered by the strength of our young leaders, the vision of our communities, and the legacy of our ancestors.⁠
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This year's poster titled 'Ancestral Lines' by Jeremy Morgan Worrall depicts "a visual representation of the lines and ties that follow a generation and the songs that come with it," says the artist. "When I look back at my mob it helps me see towards the future, it gives me hope and strength knowing what my mob have survived through and accomplished amid adversity."⁠
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Curatorial+Co. stands in solidarity, listening, learning, and championing the strength and stories of First Nations voices.⁠ We are honoured to invite collectors, friends, and guests to view 'The Colour of Country' in our Woolloomooloo gallery through till 19 July⁠ - an incredible showcase of First Nations talent curated by emerging Dunghutti/Gomeroi curator Nioka Lowe-Brennan in collaboration with @nationalindigenousartfair.⁠
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@naidocweek #NAIDOC2025 #NAIDOCWeek #StrengthVisionLegacy #sydneyexhibition #sydneygallery #eora #firstnationsart #indigenousart #contemporaryart

This incredible car bonnet artwork by JOY WILFRED

This incredible car bonnet artwork by JOY WILFRED titled NUMBULWAR, MY HOME is part of our current show The Colour of Country, presented in partnership with @nationalindigenousartfair on show in our Wooloomooloo gallery till 19 July.

Link in bio for details!

“Joy’s painting is a powerful celebration of Numbulwar – its land, its sea, and its spirit. The car bonnet pulses with colour and energy, mapping a landscape both real and remembered. Myniarr (wattleseed trees) and Maguj (pandanus) rise boldly at the centre, anchoring the scene in deep ancestral knowledge. The sea shimmers with life – fish and turtles weave through water lilies, as mangroves cradle the shoreline. The bush bursts with wildflowers, their colours shifting like stories carried on the wind. Sand dunes roll gently, and in the stillness of the billabong, brolgas dance – a symbol of Joy’s totem and soul. Woven through the painting are baskets and dilly bags, sacred forms that speak to Joy’s mastery as a weaver. These are her most treasured elements – threads of identity, memory, and deep belonging. Joy creates, but she also reinvents and repurposes objects like this car bonnet. Like many in her family, she finds dead objects in the bush, the dump and on the beach, and reuses them to turn them into beautiful works of art.”

This work appears courtesy of Numbulwar Numburindi Arts @numbulwar

#sydneygallery #aboriginalart #contemporaryart #sydneyexhibition #nationalindigenousartfair

NOW OPEN. Visit our Woolloomooloo gallery today, S

NOW OPEN. Visit our Woolloomooloo gallery today, Saturday 5 July from 10am-5pm to experience a phenomenal showcase of First Nations talent from across the country in partnership with the National Indigenous Art Fair, co-curated by emerging Dunghutti/Gomeroi curator Nioka Lowe-Brennan.⁠
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⚫️ Explore exhibition catalogue + available work via the link in bio!⁠
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"This exhibition showcases traditional forms of art such as bark painting, pandanus and bush cane weaving, and the sculpting of clay bagu, alongside contemporary expressions using bright acrylics and repurposed metal. The Colour of Country speaks to the enduring connection between land, material, and story." (Nioka Lowe-Brennan, 2025)⁠
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@nationalinidgenousartfair @niokarain #FirstNationsart #Indigenousart #ArtCentres #NAIDOC #NAIDOCWeek #NIAF #nationalindigenousartfair #sydneyexhibition #sydneygallery

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