ARTWORKS $2000+ Archives - Page 94 of 94 - Curatorial+Co.

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Showing 1117–1127 of 1127 resultsSorted by latest

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Wonderground II

MELISSA BOUGHEY
AU$7,000
VIEW

Tree Bark (Spotted Gum)

MELISSA BOUGHEY
AU$3,800
VIEW

Tree Bark (Melodic Hum)

MELISSA BOUGHEY
AU$3,800
VIEW

The Coverup

DIANA MILLER
AU$9,000
VIEW

The Longest Goodbye

DIANA MILLER
AU$9,000
VIEW

A Painting Concerning Time 1

MORGAN STOKES
AU$3,300
VIEW

A Painting Concerning Time 2

MORGAN STOKES
AU$4,400
VIEW

A Painting Concerning Time 4

MORGAN STOKES
AU$2,100
VIEW

A Painting Concerning Time 5

MORGAN STOKES
AU$3,000
VIEW

Farmer In Brown Field

NUNZIO MIANO
AU$3,600
VIEW

Scars of Sorrow
AU$3,600

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We have extended DARING for another week! Now on s

We have extended DARING for another week! Now on show till Friday 20 December, DARING showcases an outstanding presentation of small works by Curatorial+Co. represented artists as well as a selection of invited talent. Visit us TODAY Saturday 14 December from 10am-5pm to catch this BIG small works show before it closes. Exhibition will continue online till early February, 2025.⁠
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⚫️ View all DARING work via link in bio.⁠
🙌 You can take the piece off the wall and home with you for Xmas!
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#smallworks #groupshow #sydneyexhibition #sydneygallery #contemporaryart #smallartwork

NEW WORK. Morgan Stokes' 'Waiting Painting', 2024,

NEW WORK. Morgan Stokes' 'Waiting Painting', 2024, typifies the artist's post-minimal sensibility and meditative process, evident through the gentle working of its surface.⁠
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⚫️ View this work via link in bio.⁠
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Says Morgan of his practice, “In my work I explore and reinterpret the medium of painting, and more recently, sculpture. From a conceptual approach, I aim to dissect painting into its discrete elements, such as linen, paint or stretcher bars, to enquire into what makes a painting in the digital age. By creating formal studies into material, I explore what I call the ‘virtual gaze’, that is, how our mode of perception is shifting as our lives are increasingly mediated by the screen.”⁠
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@morganstok.es #minimalart #minimalism #silkartwork #abstractart #conceptualart #sydneyartist #sydneygallery #contemporaryart

How beautiful is this space! Designed by @reveldes

How beautiful is this space! Designed by @reveldesign.com.au and styled by @hollyirvine, this home features work by Katarina Wells, Kerryn Levy and Kristiina Engelin. #Repost⁠
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PEACHY KEEN | Colour, texture, playful custom details and a reimagined floor plan – our secret recipe for breathing new life into this Sydney coastal home, after years of unsympathetic renovations.⁠
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Explore more of Peachy Keen via the link in our bio.⁠
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Photography by @fiona_susanto⁠
Photo styling by @hollyirvinestudio⁠
Joinery by @freestylejoinery⁠
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#RevelDesign #InteriorDesigner #Architect #SydneyArchitect #SydneyInteriorDesigner #CoastalHome #SydneyHome #AustralianInteriorDesigner #AustralianArchitect

Deborah Kelly's bronze sculpture 'Bulldagger', 201

Deborah Kelly's bronze sculpture 'Bulldagger', 2018, is currently on show in our Woolloomooloo gallery as part of our DARING window installation.⁠
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Says Deborah of this work, “This is the only bronze work of my entire career, devised and cast at the Kirsten Kjaers Museum in northwestern Denmark in 2017 under the supervision of sculptor Zoran Luka.⁠
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“The work began as beeswax, and my initial intention was to fashion a small mermaid. However, the material seemed to have its own steadfast opinions. The figure that emerged was related instead to representations of Venus emerging from the water, wringing her hair dry, and to the Magdalene in her hirsute phase when she was becoming a prophet, seeing visions in the desert.⁠
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“The wax effigy was immersed in plaster of Paris; the plaster entered the kiln where the wax ran off, then the remaining negative space was filled with molten bronze, the first metal known to humans. Once the big white cylinder emerged from the kiln and cooled, the plaster was chipped away to reveal the sculpture - as soon as I grasped her, she cut open my thumb and then I understood that she was in fact a weapon. Like all gods, it has been said.⁠
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“In addition to the fine pelt covering her legs, she has six breasts, like a dog. So she’s a bitch-goddess, triumphant and shameless. You can see from the gleam that her breasts and vulva have been rubbed for centuries, in hope and supplication, for luck and love. She is part of the long, wandering exploration of religion and religiosity that has been a recurring theme of my artistic practice since I was a child."⁠
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View our DARING window installation work via link in bio. Exhibition runs through till 24 December.⁠
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#smallworks #groupshow #groupexhibiton #castbronze #sculpture

A beautiful pairing of Leonie Barton's 'She Went t

A beautiful pairing of Leonie Barton's 'She Went to the Vatican 2', 2023, and Emily Hamann's 'Rhythmos', 2024, by @darrenpalmerofficial featured on @homebeautiful. ⁠
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Finally, @pantone has named a Colour of the Year that we can all get around 🤎⁠
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Say hello to Pantone 17-1230 Mocha Mousse, a deliciously deep and creamy shade of soft brown that is somewhere between taupe and dark chocolate. The name speaks for itself really and is a hue we've already seen appearing in a bevy of celebrity homes this year.⁠
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Photography: @lisacohenphoto ksoljointeriors @lana.landsberry⁠
Story: @rebecca.hooton⁠
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#coty2025 #colouroftheyear #pantone #mochamousse #colourtrends #homebeautiful

Guest artist Conor Knight's 'Scraps', 2024, is cur

Guest artist Conor Knight's 'Scraps', 2024, is currently on show in our Woolloomooloo gallery as part of DARING - a small works group exhibition. ⁠
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⚫️ View all DARING work via link in bio!⁠
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Says Conor on why his work is DARING: “This work achieves a candid quality I find very hard to depict in still life. There’s an implied human presence and harmony despite the clutter.”⁠
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Exhibition runs through till 14 December.⁠
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#smallworks #sydneygallery #sydneyexhibition #contemporaryart #groupshow #sydneygroupshow

Katarina Wells' 'Eva', 2021, beautifully placed by

NEW WORK. Born from his time at Il Palmerino artis

NEW WORK. Born from his time at Il Palmerino artist residency in Florence in 2023, Nunzio Miano's current work reflects his continuous exploration of identity. By surrounding himself with portraits, Nunzio addresses a sense of loneliness he felt growing up in a diaspora – a child caught between two worlds, one of traditional Sicilian descent and the other as an immigrant growing up in Australia, never fully fitting into either camp.⁠
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⚫️ View Nunzio's available work online via link in bio.⁠
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Nunzio creates a world of his own where distorted heads and figures allow him the space to ‘fit in’. Whilst his pursuit of the portrait harks back through the rich history of Italian portraiture, Nunzio’s vibrant use of colour and emotive brush strokes breaks with tradition. By distorting the faces, Nunzio invites the viewer to question superficial judgements of aesthetics and look deeper to find connection.⁠
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Featured work:⁠
'Farmer in Brown Field', 2024⁠
Acrylic polymer on canvas⁠
79cm H x 64cm W⁠
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'Scars of Sorrow', 2024⁠
Polymer and UV varnish on canvas⁠
79cm H x 64cm W⁠
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@nunziomiano #portraiture #contemporaryart #sydneygallery #melbourneartist #figurativeart #figurativepainting

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