Curatorial+Co. presents The Colour of Country – a collaborative offsite exhibition in our Woolloomooloo gallery with the National Indigenous Art Fair (NIAF), co-curated by Dunghutti/Gomeroi curator Nioka Lowe-Brennan, from 2–19 July 2025.

Rose Wilfred is an artist, arts worker and weaving facilitator from Wuyagiba country. Although originally from Ngukkur, Rose has lived in Numbulwar for most of her life and was adopted by the Wilfred family. Rose’s artistic practice is heavily influenced by her grandmother, who she watched weaving from early childhood and who taught her the many skills and knowledges of weaving, bush tucker and bush medicine. Rose marries traditional practices and materiality with the innovative use of ghost nets in her art. In 2021, Rose graduated from the Arts Worker Extension Program (AWEP) delivered by Arnhem, Northern and Kimberley Artists (ANKA). She subsequently gave presentations to industry leaders and the World Craft Council – Australia board, sharing the creative practices and significant achievements at Numbulwar Numburindi Arts. Today, Rose plays an integral role in the everyday running of the art centre and teaches weaving at Numbulwar School to ensure traditional knowledges and practices are carried on.

“I was born in Katherine hospital. I’m from Ngukurr but I live in Numbulwar now. I come here from Ngukurr when I was 10 years old. My grandmother taught me how to make a weaving basket with pandanus. When I was 10 years old, I grow up at Walker River outstation with my grandmother and aunties. I was always sitting beside my grandmother. She taught me well to make baskets with pandanus. And she said you will make a basket with pandanus for your future when you grow up. Every time when I sleep I see my grandmother’s spirit. She here with me and speaking in my dreams. And that’s my story.” – Rose Wilfred

“On one side of the painting, there is a billabong filled with freshwater. We can see water lilies, three rocks, and patches of green grass and flowers surrounding it. On the other side, the scene transitions to the sea and the mangroves, with sand dunes in the foreground. Above, vibrant bush flowers fill the trees, and eagles soar in the sky. Rose describes this place as both an inland and coastal landscape. Sometimes, people go to the billabong to catch long-neck turtles, while at the sea, they gather crabs, fish, and mussels. She recalls walking along this landscape with her grandmother, who taught her how to find turtles near the water. Afterward, they would head to the seaside to collect mussels, crabs, and fish—a tradition deeply connected to the land and sea.”

This work appears courtesy of Numbulwar Numburindi Arts.