Daniel O’Toole says of his work: “My work embraces the imperfections and low-resolution modes of recording as an aesthetic decision. I make videos of natural phenomena to use as a reference for paintings. These time based works are a conflation of analogue and digital processes.”

Daniel’s paintings are framed behind a semi-transparent screen, to alter perception and re-animate the static image for the audience. His works aim to question the ubiquity of the digital screen, the works emphasise ‘seeing’ as an active engagement rather than a passive receiving.

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