Leonie Barton

"The Weather Vane is an 'on the to do list' sculpture project, something I would like to create to place in a small clearing of the forest. Discarded metal shapes found on the property have been collected and propped against trees catching the light and hiding in the shadows while they wait", says Leonie Barton of this work.

“The palette is shifting, some shapes more representational, the textures not yet brave. There is a keen desire to go outside and paint ‘en plein air’. I am, for the moment, however, still bound to paint within the studio, from where I am surrounded on every side with an outlook to the forest, and whilst I wrestle with and explore the transition my work is making – from pure abstraction to include subjective natural elements – it is the forest that will be my doorway through to what is to come."

Each work begins with a foundational layer of wax, oil, and pigment, which is subsequently stained to draw out the grain and any distinctive marks created through the wax application. From these traces, loose shapes begin to emerge. These forms are gradually developed through a series of intuitive responses either brought forward or obscured, until a composition resolves itself.