SIMON CARDWELL | VoxEvos
Discover an expansive showcase of original artworks by emerging and established artists, spanning Australia and beyond.
Courtney McClelland navigates the complicated experience of existing within a body — the restlessness under the skin, the poetics of sensation. Familiar in its form yet multifarious in its translations, the body is a repository of histories, desires, intimacies, and vulnerabilities that articulate our corporeal being. Sometimes celebratory, sometimes escapist, McClelland’s figures reveal their connective […]
With equal measure of fascination and concern, William Versace began ‘Future Unearthed’ with his own creations of plastiglomerates. Known colloquially as ‘plastic gems’, these naturally fused anthropogenic rocks are made from a mixture of natural debris and plastic, and are found embedded in the earth’s surface. As a physical marker of human impact on the […]
Personal memory, historical knowledge, and ways of remembering take form in André de Vanny’s latest body of work, negotiating between the weight of the past and the instability of the present. Both linear and cyclical, Mantle unfolds as a repository of memory, storytelling, and iconography through which de Vanny explores how we recall and make […]
Curatorial+Co. consulting is focused on placing site specific contemporary artwork that inspires and enhances the creative image and vision of our clients.
COUNTDOWN TO SYDNEY CONTEMPORARY.
Eugenie Kawabata creates sculptural forms that appear unearthed rather than made. They evoke relics from an unknown civilisation or specimens recovered from imagined ecosystems.
Visit us at @sydneycontemporary at @carriageworks, Booth E02, 3 Sep-6 Sep, to see these new pieces by Kawabata, as well as works by André de Vanny, Lynn Savery + Saffron Newey.
For more about our 2026 Sydney Contemporary presentation, Super Natural, explore the link in bio.
Featured Artworks:
1. `Botanica Exotica: Strange Garden #1`, 2026, reclaimed textiles, acrylic bead, resin, acrylic paint, dye, composition foil leaf, 40 × 20 cm
2. `Botanica Exotica: Strange Garden #6`, 2026, reclaimed textiles, acrylic bead, resin, acrylic paint, dye, composition foil leaf, 59.5 × 26 × 26 cm
3. `Botanica Exotica: Strange Garden # 5`, 2026, reclaimed textiles, acrylic bead, resin, acrylic paint, dye, composition foil leaf, 45 × 26 × 26 cm
@eugenie_kawabata
Behind-the-scenes of Simon Cardwell shooting ‘Eighteenth-Century Boy, Shiny Blue Silk, Dramatic Landscape’, one of the pieces in his current exhibition, ‘VoxEvos’.
Cardwell’s latest body of work represents a deliberate departure into the uncharted territories of image-making, serving as a visual testament to creative metamorphosis.
Explore ‘VoxEvos’, and Simon’s other available works via the link in bio.
Featured Artwork:
‘Eighteenth-Century Boy, Shiny Blue Silk, Dramatic Landscape’, 2026
eco-solvent print on cotton rag paper, wax, 110 × 82.5 cm
@cardwell.simon
#sydneygallery #behindthescenes🎬 #photographer
COUNTDOWN TO SYDNEY CONTEMPORARY.
Curatorial+Co.’s 2026 Sydney Contemporary presentation, Super Natural, brings together four artists who approach landscape as a site of transformation and imagination, traversing the space between reality and the subconscious.
Find us at Booth E02.
3 Sep - 6 Sep.
For more about our 2026 Sydney Contemporary presentation, Super-Natural, explore the link in bio.
1. Lynn Savery, ‘Duet VII’, 2025, oil on canvas, 40 × 80 cm
3. André de Vanny, ‘Carnevale’, 2026, oil, acrylic, wood putty, chalk pastel, charcoal, varnish, linseed oil on canvas, 216 × 196 cm
4. Eugenie Kawabata, ‘Botanica Exotica: Strange Garden #7’, 2026, reclaimed textiles, acrylic bead, resin, acrylic paint, dye, composition foil leaf, 75.5 × 47 cm
5. Saffron Newey, Ghosts of the Fall, 2026, oil on linen, 31 × 50 cm
6. Lynn Savery, ‘The Trickster’, 2026, oil on canvas, 213 × 167 cm
7. André de Vanny, ‘Livestock’, 2026, acrylic, pastel on paper, 180 × 265 cm
8. Saffron Newey, ‘Inebriata and The White Peacock’, 2026, oil on linen, 55 × 116 cm
9. Eugenie Kawabata, ‘Botanica Exotica: Strange Garden #1’, 2026
reclaimed textiles, acrylic bead, resin, acrylic paint, dye, composition foil leaf, 40 × 20 cm
10. André de Vanny, ‘Stampede’, 2026, acrylic, charcoal, pastel on paper
84 × 59 cm
11. Lynn Savery, ‘Duet VI’, 2025, oil on canvas, 40 × 80 cm
12. Eugenie Kawabata, ‘Botanica Exotica: Strange Garden #1’, 2026
reclaimed textiles, acrylic bead, resin, acrylic paint, dye, composition foil leaf, 40 × 20 cm
13. ‘Diana and The Nostalgic Horse’, 2026, oil on linen, 45 × 58 cm
#sydneygallery #contemporaryart
ART IN REAL LIFE.
Does art in the workplace boost employee well-being?
Surely a beautiful piece, like this Tiarna Herczeg artwork, hanging in the Newcastle studio of architects @studioprineas, has to have a positive impact. It certainly makes us happy!
Featured Artwork:
Tiarna Herczeg, `Between Tides`, 2026, acrylic on canvas
150 × 110 cm
@tiarna.herczeg
Photo: @lachlankain_
COUNTDOWN TO SYDNEY CONTEMPORARY.
André de Vanny explores the tension between the abject and the sublime, drawing on the visual language of contemporary abstraction.
Visit us at @sydneycontemporary at @carriageworks, Booth E02, 3 Sep-6 Sep, to see experience de Vanny`s latest body of work, as well as new pieces from Eugenie Kawabata, Lynn Savery + Saffron Newey.
For more about our 2026 Sydney Contemporary presentation, Super Natural, explore the link in bio.
Featured Artworks:
1. `Duende`, 2026, acrylic, charcoal, pastel pigment on canvas, 140 × 120 cm
2. `Walker`, 2026, acrylic, charcoal, pastel on paper, 84 × 59 cm
3. `Palomino`, 2026, acrylic, pigment, charcoal, wood putty, sand, gravel on canvas, 190 × 162 cm
4. `Stampede`, 2026, acrylic, charcoal, pastel on paper, 84 × 59 cm
5. `Carnevale`, 2026, oil, acrylic, wood putty, chalk pastel, charcoal, varnish, linseed oil on canvas, 216 × 196 cm
@andredevanny
‘I Have More To Say’ by Jasmine Poole + Christopher Sewell, now on show at The Singleton Arts + Cultural Centre.
This series explores the intimate diary of everyday life through a series of carefully staged photographic scenes. The words left unsaid, moments that sit heavy in the silence of thought. Fragments of light that seep through the cracks, slowly fading as the day descends.
`I Have More to Say` is on view at @singletonartsandculturalcentre until 15 November.
For more available works by Jasmine Poole + Christopher Sewell, explore our online gallery via the link in bio.
@jasmine_poole
@chrismsewell