Discover an expansive showcase of original artworks by emerging and established artists, spanning Australia and beyond.
There is an essential alchemy to the way Emily Ebbs creates – foraging, boiling, preparing, mixing, and dyeing. Below, we enter her inner landscape to discuss ritual, Irish Folklore, and embodied practice. Your process blends traditional painting techniques with what might be considered ‘unconventional’ materials in contemporary Western painting. How did materials like beeswax, wintergreen […]
Courtney McClelland navigates the complicated experience of existing within a body — the restlessness under the skin, the poetics of sensation. Familiar in its form yet multifarious in its translations, the body is a repository of histories, desires, intimacies, and vulnerabilities that articulate our corporeal being. Sometimes celebratory, sometimes escapist, McClelland’s figures reveal their connective […]
With equal measure of fascination and concern, William Versace began ‘Future Unearthed’ with his own creations of plastiglomerates. Known colloquially as ‘plastic gems’, these naturally fused anthropogenic rocks are made from a mixture of natural debris and plastic, and are found embedded in the earth’s surface. As a physical marker of human impact on the […]
Curatorial+Co. consulting is focused on placing site specific contemporary artwork that inspires and enhances the creative image and vision of our clients.
A LITTLE ART CAN HELP A LOT.
It`s World Mental Health Day, and we`re here to prescribe a dose of art.
We asked some of our artists how their art practice positively impacts their lives. Whether it`s getting lost in a piece that you love or making something with your own hands, art creates space for reflection, connection and calm.
If you needed a sign to put down your phone and pick up a paintbrush, this is it!
Featured artworks:
@trinamobrien, `Autumnal Winds`, 2025, acrylic, ink, graphite, oil pastel on Arches paper, 130 × 108 cm
@sdureau, `Trinity`, 2025, oil on linen, 90 × 70 cm
@nadjakabriel, Testosterone`, 2026, oil on board, 30 × 45 cm
@emilyebbs, `Wandering on a Blade of Grass`, 2026, harvested eucalyptus dye, wintergreen oil, gum arabic, Australian beeswax, acrylic, thread on canvas, 152.5 × 198.5 cm
@theresahuntartist, `Deep in Contemplation`, 2025, oil on canvas, 150 × 150 cm
OPEN NOW.
In `You Get Me`, Kate Banazi creates pieces that jostle between wall art and sculpture. Packaging paper — often overlooked and discarded — is transformed into something to be valued, encased in clear boxes to be preserved and displayed.
Banazi says, `I`ve always been interested in the materiality of things and the idea of something to be revered and taken care of. People`s perception of what is worth keeping or something that is naturally discarded or not taken care of can be really beautiful. We just need to take time to see it.`
`You Get Me` is on view at the Woolloomooloo gallery until 17 October. To view the exhibition catalogue, follow the link in bio.
Featured Artworks:
1. `Misregistration 4/All Measurements Subject to Mood`, 2026, cut paper, silkscreen ink, pigment, pencil, canvas, bookbinding glue, acrylic box frame, 80 × 60 cm
2. `Sunset Over the City`, 2026, hand-pulled silkscreen print on Hahnemuhle paper, cut paper, pigment, pencil, acrylic box frame, 70 × 49 cm
3a. `Tolerance ±5`, 2026, cut paper, silkscreen, pigment, pencil, canvas, bookbinding glue, acrylic box frame, 27.5 × 21 cm
3b. `Tolerance ±3`, 2026, cut paper, silkscreen, pigment, pencil, canvas, bookbinding glue, acrylic box frame, 27.5 × 21 cm
4. `Tolerance ±2`, 2026, cut paper, silkscreen ink, pigment, pencil, canvas, bookbinding glue, acrylic box frame, 27.5 × 21 cm
@katebanazi
Interior designers Jono Fleming and Ryan McGregor have created a warm yet moody workspace in a quirky old building in Surry Hill, featuring artwork by Theresa Hunt.
To see the full transformation, find the @thedesignfiles article via the link in bio.
Designers: @jono.fleming @fieldroom
Photos: @nicgossage
Styling: @noncinyonistyling
Build: @duckerconstructions
Featured artwork:
@theresahuntartist
STOCKROOM SPOTLIGHT.
Courtney McClelland paints from a place of intuition and imagination. Layering the canvas in stains, the bodies reveal themselves in the shapes left behind within the pigment.
`The bodies I paint are always nude,` McClelland says. `I’m drawn to the vulnerability in the rendering of flesh with the instinctual, complicated feelings it incites, everywhere from lust to horror.`
Explore more of Courtney McClelland`s evocative works via the link in bio.
Featured Artwork: `All Caught Up`, 2024, oil, acrylic on canvas, 112 × 86 cm
@courtneymcclelland_
OPEN NOW.
“‘You Get Me’ began with a desire to follow things wherever they went—to be curious, playful and contradictory, while still searching for a resolve, even if it felt temporary,” says Kate Banazi about her latest body of work.
“Emerging from the noise in unfamiliar forms, as though recognition itself has had to be rebuilt, I’m in there somewhere, constantly rearranging myself.”
‘You Get Me’ is on view at the Woolloomooloo gallery until 17 October. To view the exhibition catalogue, follow the link in bio.
@katebanazi
Shelf installation by @ashleycorbettsmith
Photos by @fatografi_insta
STOCKROOM SPOTLIGHT.
Chloe Caday explores her historical, cultural and spiritual connections to place, utilising her practice to connect with her Filipino heritage and life living and working in the Victorian bushland.
`First Moments` is currently on show as a finalist in the 2026 John Leslie Art Prize, at the @gippsartgallery, until 22 September.
To explore more of Chloe Caday`s landscapes, follow the link in bio.
`First Moments`, 2024, oil on linen, 122 × 137 cm
@chloe.caday
