Discover an expansive showcase of original artworks by emerging and established artists, spanning Australia and beyond.
Courtney McClelland navigates the complicated experience of existing within a body — the restlessness under the skin, the poetics of sensation. Familiar in its form yet multifarious in its translations, the body is a repository of histories, desires, intimacies, and vulnerabilities that articulate our corporeal being. Sometimes celebratory, sometimes escapist, McClelland’s figures reveal their connective […]
With equal measure of fascination and concern, William Versace began ‘Future Unearthed’ with his own creations of plastiglomerates. Known colloquially as ‘plastic gems’, these naturally fused anthropogenic rocks are made from a mixture of natural debris and plastic, and are found embedded in the earth’s surface. As a physical marker of human impact on the […]
Personal memory, historical knowledge, and ways of remembering take form in André de Vanny’s latest body of work, negotiating between the weight of the past and the instability of the present. Both linear and cyclical, Mantle unfolds as a repository of memory, storytelling, and iconography through which de Vanny explores how we recall and make […]
Curatorial+Co. consulting is focused on placing site specific contemporary artwork that inspires and enhances the creative image and vision of our clients.
"I do not interpret the landscape as seen," says Ana Young. "Rather, I interpret what the landscape allows me to feel in a particular moment."
`The Perfumed Room`, 2025, is a later response - a complication of spaces entered and sounds remembered.
Not a depiction of the Australian bush but a feeling carried back from it, where colour and shape hold the weight of memory, experience and the subconscious, finding their way back onto the canvas.
View Ana Young`s available works via the link in bio.
Featured work: `The Perfumed Room` 2025
Melissa Boughey`s work brings quiet presence to this beautifully considered Palm Beach residence by @atelieralwill, photographed by @smartanson.
Artist: @melissa_boughey_art
Interior Design: @atelieralwill
Architecture: @alwillarchitecture
Photography: @smartanson
The first painting of the residency.
Early morning, right at the top of the property in Wyangala, watching the light creep over the countryside - illuminating yellow and brown grasses, granite boulders with long blue shadows, the light changing as it spread across the land.
Belinda Street paints not only what she sees but what she feels. `The Time it Takes for Light to Arrive`, 2025, is exactly that - sensation translated into colour and rhythm, the shimmer of heat and the slow turning of time inscribed in every gesture.
View Belinda Street`s available works via the link in bio.
Featured work: `The Time it Takes for Light to Arrive` 2025
VISIT TODAY.
Come by our Woolloomooloo gallery today and spend time with Amber Hearn`s `The Shape of Shelter`, on show until 30 May.
Architectural elements structure each painting`s composition, echoing windows, thresholds and enclosing planes.
These structures create space for life-sized vessels, positioning the viewer simultaneously within a room and within a body - as if moving through an interior that is both physical and deeply felt.
Open Saturday, 10am–5pm.
View available works via the link in bio.
The art world spent a long time making the opening night the main event. The right crowd, the right address, the right moment to be seen.
That era is shifting. What people want from a gallery now looks different - direct access to artists, genuine curatorial knowledge, a relationship that extends well beyond the moment a work is hung on the wall.
The most significant change in how people engage with art isn`t about what they are acquiring. It is about who they are acquiring it with, and why that relationship matters.
Get in touch with our team via the link in bio.
Slide 1: `Lord Of The Fishes` 2020 and `Eagle` 2020 @humblematter
Slide 2: `Birdsong` 2024 @sashacourtstudio
Slide 4: `Saeng Dok Mai แสงดอกไม้ Light of Flowers` 2025 @lilliwaters
Slide 5: `Still Here` 2026 @llewellynskye.studio
(Sources: The Art Newspaper, March 2025; Artsy Art Market Trends 2025; Art Market Experts 2026)
"This work draws upon the quiet power of dusk, where the warmth of the fireplace stirs memories that linger just beyond reach and hints at stories still waiting to be told," says Brett Anthony Moore.
`The Enchanted Twilight`, 2025, is a backlit paint skin - acrylic polymer layers that glow from within, shifting with the light around them. Made from the colours of the Southern NSW bushland at the turn of seasons, delicate and expansive all at once.
View Brett Anthony Moore`s available works via the link in bio.
Featured work: `The Enchanted Twilight` 2025
