Discover an expansive showcase of original artworks by emerging and established artists, spanning Australia and beyond.
Courtney McClelland navigates the complicated experience of existing within a body — the restlessness under the skin, the poetics of sensation. Familiar in its form yet multifarious in its translations, the body is a repository of histories, desires, intimacies, and vulnerabilities that articulate our corporeal being. Sometimes celebratory, sometimes escapist, McClelland’s figures reveal their connective […]
With equal measure of fascination and concern, William Versace began ‘Future Unearthed’ with his own creations of plastiglomerates. Known colloquially as ‘plastic gems’, these naturally fused anthropogenic rocks are made from a mixture of natural debris and plastic, and are found embedded in the earth’s surface. As a physical marker of human impact on the […]
Personal memory, historical knowledge, and ways of remembering take form in André de Vanny’s latest body of work, negotiating between the weight of the past and the instability of the present. Both linear and cyclical, Mantle unfolds as a repository of memory, storytelling, and iconography through which de Vanny explores how we recall and make […]
Curatorial+Co. consulting is focused on placing site specific contemporary artwork that inspires and enhances the creative image and vision of our clients.
A big congratulations to our artist @karlien_vanrooyen on being named a recipient of this year`s @maisonetobjet Rising Talent Award.
As one of seven South African creatives selected in partnership with @decorexafrica and @100percentdesignafrica, Karlien will be representing a dynamic new generation of design on the global stage in Paris.
We are incredibly proud to see her receive this well-deserved international recognition and can`t wait to follow this exciting next chapter.
Photography by @georgidorward_
#Curatorial&Co
Leonie Barton`s artwork is nestled beautifully beside this bespoke wine cellar by @lbinteriors.
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@lbinteriors
Some of the most impactful spaces begin with the least inspiring rooms.
What was once a dark, windowless study has been reimagined as a bespoke wine cellar that feels more like an art installation than traditional storage.
Designed to visually extend the living area, the custom steel-framed glazing creates depth and intrigue, while the illuminated display transforms the clients’ wine collection into a striking architectural feature. Every bottle becomes part of the composition.
It’s a reminder that great design isn’t always about adding more space, it’s about revealing the potential that already exists.
A room with no outlook is now one of the home’s defining moments.
Project: TERRANOX
Interior Design: Lynne Bradley Interiors
Photography: @smartanson
Editorial Styling: @jackmilenkovic
Builder: @sgdbuilders
Joinery: @kastellkitchens
@duluxaus
@fanulifurniture
@cultdesignau @gubiofficial
@dilorenzo_tiles @havwoods_au
@livingedge
@designerrugs
@cavart_ds
@leoniebarton
@curatorialandco
@the_textile_company
THIS WEEK.
First Nations and Hungarian artist Tiarna Herczeg`s latest exhibition `Bird Watching Me` will be on show in our Woolloomooloo gallery from 8-25 July.
Join us for the opening celebration this Wednesday, 8 July from 5:30-8pm.
Says Herczeg of her upcoming exhibition, "My paintings are not figurative, abstract, or portraiture in any fixed sense. They operate somewhere between these categories. They are not illustrations of memories or beliefs – they are evidence. Proof to myself that what I experience emotionally, spiritually, and intuitively is real, tangible, and alive."
Explore available works via the link in bio.
Featured work: `Keep Following That Path`, 2026, 90 x 90 cm
@tiarna.herczeg
NAIDOC WEEK
`50 Years of Deadly` marks a milestone. It’s a tribute to the people who built this movement. The Elders who stood firm, the organisers who made space, the artists who turned resistance into expression, and the communities who keep showing up, year after year.
This NAIDOC Week, Curatorial+Co. celebrates the enduring cultures, histories, creativity, and achievements of Aboriginal and Torres Strait Islander peoples.
We acknowledge the importance of listening, learning, and celebrating First Nations voices not only this week, but always.
◼️ We warmly invite you to mark NAIDOC Week by joining us at the gallery on Wednesday 8 July, from 5:30–8pm, for the opening of First Nations and Hungarian artist Tiarna Herczeg`s latest solo exhibition, `Bird Watching Me`.
Learn more about the 2026 NAIDOC Week theme via the link in bio.
Poster artwork by Zaachariaha Fielding
Chelsea Lehmann emphasises the performativity and artifice of Baroque and surrealist bodies, echoing the way Western art has traditionally grafted constructs of feminine identity onto the illusions of representation itself. Lehmann’s work offers creative interventions which ‘undo’ these constructs by imaging the female form in conflict with painting’s weighty history and stable surfaces.
`Spring Rites` (2025) draws loosely on the myth of Leda and the Swan, exploring themes of transformation and embodiment. Suspended between emergence and dissolution, the work inhabits an ambiguous space where human and animal forms intersect, and where vulnerability and unease coexist.
`The Beast in Me` is on view till 4 July.
Featured work:
1. `Spring Rites`, 2025, oil on linen
@chelseajlehmann
Liss Finney examines the boundaries and slippages between artefacts, rituals, and the corporeal realities of decay. Her works function as vessels for reflection on mortality, interweaving memory, material experimentation, and existential philosophy to consider how ritual and objecthood mediate our relationship to death. `Clinging to Something` lingers around questions of material attachment, the body, beauty, and spiritual contingencies.
Presented as part of `The Beast in Me`, Liss Finney`s practice is informed by personal and familial proximity to funeral culture, situates death as a relational field activated through objects and ritual.
Featuring 16 emerging and established artists, `The Beast in Me` explores the boundaries between human and animal, self and body, civility and instinct. On view till 4 July.
Featured work:
1. `Clinging to Something`, 2026, synthetic hair, wire, cement, plaster
@lissfinney
