Discover an expansive showcase of original artworks by emerging and established artists, spanning Australia and beyond.
Courtney McClelland navigates the complicated experience of existing within a body — the restlessness under the skin, the poetics of sensation. Familiar in its form yet multifarious in its translations, the body is a repository of histories, desires, intimacies, and vulnerabilities that articulate our corporeal being. Sometimes celebratory, sometimes escapist, McClelland’s figures reveal their connective […]
With equal measure of fascination and concern, William Versace began ‘Future Unearthed’ with his own creations of plastiglomerates. Known colloquially as ‘plastic gems’, these naturally fused anthropogenic rocks are made from a mixture of natural debris and plastic, and are found embedded in the earth’s surface. As a physical marker of human impact on the […]
Personal memory, historical knowledge, and ways of remembering take form in André de Vanny’s latest body of work, negotiating between the weight of the past and the instability of the present. Both linear and cyclical, Mantle unfolds as a repository of memory, storytelling, and iconography through which de Vanny explores how we recall and make […]
Curatorial+Co. consulting is focused on placing site specific contemporary artwork that inspires and enhances the creative image and vision of our clients.
LAST DAYS.
Mitchell Cheesman’s paintings vibrate with an energy and exuberance that defy their classification as still lifes. Thickly applied in impasto oil, their rich, glossy surfaces are almost edible, slathered onto the canvas with the same playful abandon as the compositions themselves.
You can still enjoy these luscious paintings in the Woolloomooloo gallery until Saturday, 26 September.
The exhibition catalogue for `A Sip From Stained Glass` is also available online by following the link in bio.
Featured Artworks:
1. A Long Tie, Carpet, 2026, oil on canvas, 152 × 122 cm
2. `The Rags And Roses Of The Studio`, 2026, oil on canvas, 92 × 76 cm
3. `Lady-Leg Lamps Become The Pinnacle Of Any Wine, Dine And Irish Stein`, 2026, oil on canvas, 92 × 76 cm
4. `Green Bottle, Pink Cloth, Gold Hook`, 2026, oil on canvas, 92 × 76 cm
5. `From The Shelf I Could See Through The Car Window`, 2026, oil on canvas, 100 × 76 cm
@mitchell_cheesman
COMING SOON.
Curatorial+Co. is delighted to present the latest body of work by Kate Banazi, `You Get Me`, in our Woolloomooloo gallery from 30 September – 17 October.
JOIN US for the opening celebration on Wednesday 30 September 5:30–8pm.
Kate Banazi’s practice is anchored in the human body — drawn from life, then pulled apart into fragments of line, limb, and edge that shift, repeat, and resist fixed meaning. The body moves through sketch, computer, photograph, screen, and print, each layer adding distortion.
For a preview of the exhibition catalogue, click the link on bio.
Featured Artworks:
1. `Wrung Side Up`, 2026, acrylic, silkscreen ink, pigment, pencil on canvas, 90 × 70 cm
2. `Tolerance ±5`, 2026 cut paper, silkscreen, pigment, pencil, canvas, bookbinding glue, acrylic box frame, 27.5 × 21 cm
3. `Calibration 9/Measured Twice, Twice Measured Differently`, 2026, cut paper, silkscreen, pigment, pencil, canvas, bookbinding glue, acrylic box frame, 40.5 × 30.5 cm
4. `Tolerance ±3`, 2026, cut paper, silkscreen, pigment, pencil, canvas, bookbinding glue, acrylic box frame, 27.5 × 21 cm
5. `Misregistration 4/All Measurements Subject to Mood`, 2026, cut paper, silkscreen ink, pigment, pencil, canvas, bookbinding glue, acrylic box frame, 80 × 60 cm
6. `Tolerance ±2`, 2026, cut paper, silkscreen ink, pigment, pencil, canvas, bookbinding glue, acrylic box frame, 27.5 × 21 cm
7. `Misregistration 2/My Plants Grew Beyond the Boundary`, 2026, cut paper, silkscreen ink, pigment, pencil, canvas, bookbinding glue, acrylic box frame, 80 × 60 cm
8. `Too Much Never Enough`, 2026, cast glass, aluminium, silkscreen ink, pencil, canvas, 50 × 35 cm
@katebanazi
Our friends at @furnishd.studio have epitomised the concept of quiet luxury at this Bellevue Hill residence, featuring artworks by Brett Anthony Moore, Kiata Mason, Lilli Waters and William Versace.
Project: Bellevue Hill Residence
Design by @furnishd.studio
Captured by @aliciataylorphotography
Featured Artworks:
@bam__now, `Splendour From the Void`, 2025, acrylic polymer paint skin on acrylic, silicon, LED light, 84 × 60 × 4 cm
@kiatamasonart, `Mother and Child with Spaniels`, 2025, acrylic on board, 112 × 70.5 cm
@lilliwaters, To Dwell in, Remain, 2023, archival pigment print on platine fibre rag paper, 75 x 50 cm
@william_versace, `Urchin/Eroded`, 2025, plaster, raw clay, handmade and powdered pigments, ink, sea urchin spine, rabbit skin glue, resin, pewter, 33 × 33 × 4 cm
INTERIOR AS SELF-PORTRAIT.
Artists have long used the interior as more than a backdrop. From Matisse and David Hockney to Margaret Olley and Brett Whiteley, the rooms they paint become akin to self-portraits, where objects, colours and details evoke a deeply personal narrative.
Mitchell Cheesman picks up this tradition in his own distinctive way, filling his interiors with the objects of his world, each bar stool or tchotchke embodying an experience or memory. The result is a playful, idiosyncratic take on the interior, where familiar things are rearranged into forms not seen before.
Take a closer look at Mitchell Cheesman`s interiors via the link in bio.
@mitchell_cheesman
It`s the last days of Virgo season, and we`d be remiss if we didn`t acknowledge our most hardworking zodiac friends with a series of artworks that celebrate their meticulous, particular and perfectionist nature.
Curated with the help of our resident Virgo and Art Consultancy Creative Producer, Jess Bruzzaniti @for_arts_sake
Featured Artwork:
1. @lilliwaters, `Thea`, 2022, archival pigment print on platine fibre rag paper, 50 × 33.3 cm
2. @odetteirelandsculpture, `Totem No.3 (Series 3)`, 2023, raku clay, chalk emulsion, wax, brass, copper, stainless steel, 172 × 25 × 25 cm
3. @courtneymcclelland_, `Bow`, 2024, oil, acrylic on canvas, 61 × 51 cm
4. @morganstok.es, `Material System Painting (Study)`, 2025, acrylic, stitched canvas, silk organza, Tasmanian oak, 28 × 20.5 cm
5. @aleisamiksad, `Elysian Fragment II`, 2025, porcelain mid-fire clay, 14.5 × 9.5 × 8 cm
6. @katebanazi, `Invisible Woman`, 2024, acrylic, silkscreen ink on Hahnemuhle paper, 55.5 × 40.4 cm
7. @jasmine_poole + @chrismsewell, `And in the End`, 2024, pigment print on Canson Infinity Edition etching rag paper, 100 × 67 cm
There are a few recurring characters in Mitchell Cheesman’s latest body of work - Venus flytraps, flowers, stained-glass windows - but for some fans, the motif they’re most excited to spot is one of Cheesman’s signature cats.
Joining a long tradition of cat aficionados, from Picasso to Renoir, Cheesman’s cats roam confidently through his canvases, appearing as symbols of new experiences, familiar comforts and memories of home.
Mitchell Cheesman`s `A Sip From Stained Glass` is on show at the Woolloomooloo gallery until 26 September. The online catalogue for the exhibition is available via the link in the bio.
Featured Artworks:
1. `The Missing Cat Against Sonny’s Pinstripes`, 2026, oil on canvas, 76 × 61 cm
2. `Wally With Irises`, 2026, oil, wax on canvas, 102 × 76 cm
3. `Terrace Still Life Drawing On Stained Glass Quilt (l)`, 2026, oil on canvas, 153 × 101 cm
@mitchell_cheesman
