Discover an expansive showcase of original artworks by emerging and established artists, spanning Australia and beyond.
There is an essential alchemy to the way Emily Ebbs creates – foraging, boiling, preparing, mixing, and dyeing. Below, we enter her inner landscape to discuss ritual, Irish Folklore, and embodied practice. Your process blends traditional painting techniques with what might be considered ‘unconventional’ materials in contemporary Western painting. How did materials like beeswax, wintergreen […]
Courtney McClelland navigates the complicated experience of existing within a body — the restlessness under the skin, the poetics of sensation. Familiar in its form yet multifarious in its translations, the body is a repository of histories, desires, intimacies, and vulnerabilities that articulate our corporeal being. Sometimes celebratory, sometimes escapist, McClelland’s figures reveal their connective […]
With equal measure of fascination and concern, William Versace began ‘Future Unearthed’ with his own creations of plastiglomerates. Known colloquially as ‘plastic gems’, these naturally fused anthropogenic rocks are made from a mixture of natural debris and plastic, and are found embedded in the earth’s surface. As a physical marker of human impact on the […]
Curatorial+Co. consulting is focused on placing site specific contemporary artwork that inspires and enhances the creative image and vision of our clients.
Libras know that in life, as in art, it’s all about balance. A romantic and a diplomat, they’re the peace-keepers of the zodiac, with a great eye for quality.
We’ve put together a collection of artworks that celebrate beauty, create a sense of harmony and reflect the many sides of this charming, occasionally indecisive sign.
For more of our available artworks, click on the link in bio.
Featured Artwork by Odette Ireland, ‘Counterbalance No.2 (Series 3)’, 2023, smoke fired porcelain, raku clay, chalk emulsion, wax, brass, wood, stainless steel, 58 × 85 × 35 cm
@odetteirelandsculpture
Kate Banazi
@katebanazi, ‘Exquisite Explicit - Split Slip’, 2024, acrylic, silkscreen ink on hahnemuhle paper, 56 × 40 cm
Isabelle de Kleine
@isabelledekleine, ‘Maybe in Another Life’, 2022, watercolour, gouache, acrylic on paper, 140 × 140 × 5 cm
Kasper Raglus
@kasperraglus, ‘Together’, 2025, acrylic, oil on board, 60 × 60 cm
Jasmine Poole + Chris Sewell
@jasmine_poole + @chrismsewell, ‘There’s Still Life Drinks Study 1’, 2021, pigment print on canson infinity edition etching rag paper, 46.5 × 32 cm
André de Vanny
@andredevanny, ‘Pavise’, 2026, acrylic on canvas, 91 × 80 cm
Theresa Hunt
@theresahuntartist, ‘The Soul Quietens’, 2025, oil on canvas, 100 × 100 cm
Emily Ebbs
@emilyebbs, ‘Was it the Haze or the Mist’, 2026, harvested eucalyptus dye, wintergreen oil, gum arabic, australian beeswax, harvested charcoal, acrylic, thread on canvas, 112 × 107 cm
Lilli Waters
@lilliwatersphoto, ‘Arcadia’, 2021, archival pigment print on platine fibre rag paper, 102 × 68 cm
IN THE PRESS.
“Everyone deserves to find good art, and the incredible talents behind it.”
Our founder and director Sophie Vander recently spoke with @boulevard.magazine about the journey of Curatorial+Co., the importance of connecting artists with collectors, and why great art should sometimes challenge us.
From establishing the gallery in 2015 to expanding into art consultancy and international art fairs, Sophie reflects on the relationships, discoveries and opportunities that continue to shape Curatorial+Co.
Read the full interview via the link in bio.
Photo by @annegraham_photo
ART PRIZE WIN.
We were delighted to see Eugenie Kawabata awarded the Honourable Mention Prize for Sculpture at the inaugural 2026 @paddingtonartprize Paddo Sculpture Prize last week.
Her incredible artwork, ‘Botanica Exotica: Takayna #5’, rightfully walked away with the $3,000 prize. Part of a series inspired by the extraordinary ecosystem of northwest Tasmania`s Takayna region, the sculpture echoes the forms of fungi, lichen, mosses and other plant life, using discarded textiles that are dyed, stitched and fused together in resin.
The Paddo Sculpture Prize exhibition is on view until 25 October at NCJWA Hall, Level 1, 111 Queen Street, Woollahra. Entry via Dorhauer Lane.
Explore more of Eugenie Kawabata`s work via the link in bio.
Featured Artwork:
‘Botanica Exotica: Takayna #5’, 2025, fabric, resin, acrylic paint, dyes, composition foil leaf, 79 × 42.5 × 42.5 cm
@eugenie_kawabata
From the pages of @houseandgarden, @march_twice_interiors have reinvigorated this traditional homestead in the Southern Highlands, retaining the character of the original cottage while evolving the interior to better suit modern life.
Featuring artworks by Morgan Stokes, Katarina Wells, André de Vanny and Theresa Hunt, the interior decoration continues the dialogue between country and contemporary, with pieces that are warm, textural and grounded in natural materials.
Interior Design: @march_twice_interiors
Construction: @harlorbuilding
Photography: @ryanlphoto
Editorial styling: @hollyirvinestudio
Styling assist: @studiocadsky
Full story via the link in bio.
Featured Artworks:
1a. @morganstok.es, `Support Painting`, 2025, acrylic, pigment on stitched canvas, 150 × 118 cm
1b. @katarinawellsceramics, `Gaia`, 2025, mid-fire clay, glaze, stain, 40 × 40 × 40 cm
2. @theresahuntartist, `Seasons Change`, 2025, oil on canvas, 150 × 150 cm
3. @andredevanny, `Prima Materia`, 2024, acrylic on canvas, 106 × 101 cm
4. @andredevanny, `Siena`, 2025, acrylic on canvas, 132 × 114 cm
STOCKROOM SPOTLIGHT.
Eugenie Kawabata`s sculptural works draw inspiration from the protists, fungi, lichen, mosses, and plant life of the Takayna region in western Tasmania — one of the world’s last surviving Gondwana rainforests — presenting imagined entities that embody the spirit of this ancient ecosystem and the dense networks of life beneath its canopy.
Textile waste is built into sculptural forms that feel both organic and otherworldly; through stitching, dyeing, painting, and resin application, she creates objects that appear as relics from another civilisation or specimens unearthed from the forest floor, oscillating between design object and sculptural artefact.
Featured Artwork: `Botanica Exotica: Takayna #13`, 2025, fabric, resin, acrylic paint, dyes, composition foil gold leaf, mixed media, 79 × 37 × 37 cm
@eugenie_kawabata
Artist photo by @annegraham_photo
LAST DAY.
Kate Banazi`s `You Get Me` must close today, Saturday 17 Oct.
The Woolloomooloo gallery is open from 10am until 5pm today.
If you can`t make it in, you can check out more about the artist and her work on our website. Just follow the link in bio.
@katebanazi
