No products in the cart.

Cart Total:AU$0

Art
Artists
Exhibitions
Art Consultancy
About
Contact
Insights

Art
Artists
Exhibitions
Art Consultancy
About
Contact
Insights

Original Art Gallery

Filters

Artist

Medium

Size

Orientation

Price Range

Showing 1–12 of 747 resultsSorted by latest

VIEW

Study II

KATE BANAZI
AU$1,200
VIEW

Study I

KATE BANAZI
AU$1,200
VIEW

Monument, Blue

KATE BANAZI
AU$2,400
VIEW

The Ornamental Pear

KATE BANAZI
AU$1,900
VIEW

The Elevated Songs

BRETT ANTHONY MOORE
AU$3,100
VIEW

Hearth

ANDRE DE VANNY
AU$2,400
VIEW

Wind Shift

KASPER RAGLUS
AU$950
VIEW

Waken

KASPER RAGLUS
AU$950
VIEW

Singular

KASPER RAGLUS
AU$950
VIEW

Partial

KASPER RAGLUS
AU$1,000
VIEW

Both Sides

KASPER RAGLUS
AU$1,000
VIEW

The Horizon Never Ends

BRETT ANTHONY MOORE
AU$3,300

1
2
3
4
…
61
62
63

Email: [email protected]
Phone: +61 (2) 9318 1728
Contact Us

Customer Service

Framing Options

Shipping + Returns

Instagram

It all starts with the body. We had an insightful

It all starts with the body. We had an insightful evening at Stylecraft, Sydney, learning about the ways in which art and design intersect through process and development. Designer Tom Skeehan and artist Kate Banazi generously laid their sketchbooks down to explore the parallels of their practice, both focused on and driven by the body through initial sketches yet producing different results.⁠
⁠
Thank you to Kate, Tom, and the wonderful team at Stylecraft for a fabulous evening. A selection of Kate's work will remain on show at Stylecraft over the coming weeks - be sure to drop by!⁠
⁠
@katebanazi @tom_skeehan @stylecraftfurniture @stylecraft.home #artdesign #interior #process #abstractart #sydneyevent #curator #artconsultant

The figures in Courtney McClelland's 'Soft-Edged C

The figures in Courtney McClelland's 'Soft-Edged Couple' are drawn from a place of desire, calling out to each other and crumbling in focus. Often ethereal, the distorted scenes take references from historical paintings of bacchanalia, rituals, brawls and Victorian fairies.⁠
⁠
This work is currently on display as part of McClelland's current solo exhibition 'Holding Hands As The Sun Falls' through till 5 April. View catalogue + available work via the link in bio!⁠
⁠
Says McClelland of her work, “I prioritise painting from a place of intuition and imagination. These paintings all begin in the same way, as I layer the canvas in stains to find impressions of bodies in the shapes left behind within the pigment. If I can’t find enough figures within the painting, I’ll draw from historical painting references, including those of bacchanalias, rituals, brawls and Victorian fairies. The bodies I paint are always nude – I’m drawn to the vulnerability in the rendering of flesh with the instinctual, complicated feelings it incites, everywhere from lust to horror."⁠
⁠
@courtneymcclelland_ #sydneyexhibition #sydneygallery #emergingartist #figurativeart #figurativepainting #contemporaryart #womanartist

We are so excited to share the next iteration of C

We are so excited to share the next iteration of Curatorial+Co.'s Emerging Collectors' Club. SIGN UP via the link in bio to receive your newsletter TOMORROW Friday 28 March featuring an insightful collector Q+A as well as your exclusive invite to our April event.⁠
⁠
This month we had the absolute pleasure of chatting with Bundjalung and Worimi Saltwater woman, Phoebe McIlwraith @northbutsouthhh as our featured collector. Phoebe is a multi-disciplinary Koori creative whose work traverses writing, journalism, illustration, and audio and literary editing. We loved hearing Phoebe's perspective on collecting and engaging with First Nations artists.⁠
⁠
For our April event, we are thrilled to invite our Emerging Collectors' Club community to experience a sound bath in the gallery, led by multimedia artist Peta Morris @thekidcreative alongside Susie Dureau’s @sdureau upcoming exhibition, 'Rhythmia' (9-26 April).⁠
⁠
Rooted in the medium of sound, Dureau’s latest series of paintings has evolved from spectrograms—visual representations of sound—that she has been collecting and recording since 2020. Expanding on the concepts that have informed her latest body of work, we invite you to join us for a special evening of meditation, sound, and energetic flow.⁠
⁠
Join the club today!⁠
⁠
#emergincollector #artcollector #sydneygallery #sydneyevent #artevent #soundbath #sydneysoundbath #meditation #interview #collectorinterview #FirstNationsart #Indigenousart ⁠

Kate Banazi's silkscreen print 'The Ornamental Pea

Kate Banazi's silkscreen print 'The Ornamental Pear' typifies themes of sensuality, body autonomy and self-image that underpin her practice, as she deliberately subverts the expectation that women’s bodies and their artistic expressions must be ornamental.⁠
⁠
⚫️ View Banazi's work via the link in bio.⁠
⁠
Says Kate, “This body of work is a self-portrait based on drawings of my own body. After so many years of basing my ideas on the drawings of others, it felt apt to focus on my own form as I entered the next phase of my life. My body is changing and the relationship I have with it is being pushed into unlearning.⁠
⁠
“The shapes are pulled from the outlines of these drawings, entwined and meshing, evoking tumbling hormones and dizzying vertigo. The drawings go through multiple processes to get to graphic linear motifs and then again to be transferred to silkscreens. Each step is a move away from the source material thrust into isolation and brought back to an integrated form.”⁠
⁠
@katebanazi #silkscreenprint #screenprint #abstractart #contemporaryart #sydneygallery #sydneyartist

Currently on show in the gallery is Chloe Caday's

Currently on show in the gallery is Chloe Caday's latest solo exhibition 'Balikbayan / Returning Home' through till 5 April.⁠ In this exhibition, Caday explores the creation of her identity and perceptions when the two cultures unite and how her displacement of Filipino heritage has affected her identity, particularly as a mother raising her children in the Victorian bushland. ⁠
⁠
⚫️ View Caday's catalogue + available work via the link in bio.⁠
⁠
Caday’s experience of motherhood has opened conversations and insights into the offerings and teachings passed down from her lineage, connecting her experiences of migration to her more recent experiences of motherhood. ⁠
⁠
Photos courtesy of the artist.⁠
⁠
@chloe.caday #sydneygallery #sheoaks #painter #oilpainter #contemporaryart #filipinoartist #landscapepainting #sydneyexhibition #figurativepainting

Georgia Bisley’s life-size abstract ‘tapestrie

Georgia Bisley’s life-size abstract ‘tapestries’ are personal artefacts, where geometries, materiality and colour speak to parts of her identity. Heraldic in nature, her textiles emulate shield-like forms that reference armours of Bisley’s Celtic heritage.⁠
⁠
⚫️ View all Bisley's work via the link in bio!⁠
⁠
As well as the rich amalgamation of experiences they reference, these works are imbued with moments of strength, fragility, fragmentation and cohesion. Constructed and then carefully broken apart, areas of densely tufted wool sit alongside unravelled moments of transparency where tightly woven linen is left exposed and dyed before being painstakingly unpicked row by row. Each work is, in essence, made and unmade.⁠
⁠
The process of doing and undoing is an ode to Bisley's evolving sense of purpose, and the learning and unlearning so inextricably linked with the formation of self. Colour is central to the intention of these works – a bold and often jarring palette of remnant wools used to playfully render moments and markers of the artist’s early years.⁠
⁠
Featured work:⁠
'Stage Fright', 2024, wool on linen, 230cm H x 120cm W⁠
⁠
@georgiabisley #textileart #contemporaryart #perthartist #wallrelief #wallsculpture #tufting #sydneygallery #artcurator #sydneycurator

Mesmerised by @trinamobrien and how she creates -

Mesmerised by @trinamobrien and how she creates - a preview of the beauty that is to come for her upcoming solo exhibition, late-April 2025.

Register your interest and explore O'Brien's current work via the link in bio.⁠
⁠
#sydneyexhibition #sydneyartist #abstractartist #abstractpainting #lyricalpainting #contemporaryart #womenartists

The bodies in Courtney McClelland's 'A Crowd Gathe

The bodies in Courtney McClelland's 'A Crowd Gathered' are drawn from a place of desire - calling out and crumbling into one another. Informed by the painting process, there is often a midway point during McClelland's process where a story starts to emerge. A small gesture between the figures often hints at a greater narrative - an arched back, an arm reaching to another, two faces connecting.⁠
⁠
⚫️ View Courtney's available work via the link in bio.⁠
⁠
Says McClelland of her practice, "I have always been drawn to painting the body – it’s something that is familiar in its form but has infinite translations and stories transcribed within it. The body is an emblem for the sensations, histories, desires, intimacies and vulnerabilities that exist within it. Each of these works has its own story. In a way, each painting feels like an excavation - I am digging out parts of the body, rendering its curves and reassembling them to feel out an image."⁠
⁠
This work is currently on show in our Woolloomooloo gallery as part of McClelland's latest body of work 'Holding Hands As The Sun Falls' through till 5 April.⁠
⁠
@courtneymcclelland_ #sydneygallery #sydneyexhibition #emergingartist #abstractpainting #abstractartist #femaleartist #contemporaryart #figurativepainting #abstractfigure

Follow on Instagram

© Copyright Curatorial+Co. NSW Australia.

Create a new list

Wishlist 0

Continue Shopping