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Showing 13–24 of 743 resultsSorted by latest

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In Our Time

KASPER RAGLUS
AU$3,950
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Labour in My Wardrobe

AMBER HEARN
AU$6,500
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A Painting Of Itself

MORGAN STOKES
AU$7,500
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Studio Rug with Sunflowers

MITCHELL CHEESMAN
AU$1,700
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Expanding Sphere of Presence Between Us

AMANDA SCHUNKER
AU$6,800
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Wonderground I

MELISSA BOUGHEY
AU$7,000
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Tree Bark (Melodic Hum)

MELISSA BOUGHEY
AU$3,800
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Making Dumplings

KIATA MASON
AU$4,800
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Tussle

SARAH EDDOWES
AU$520
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Bulldagger

DEBORAH KELLY
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Maiwar, Brisbane River

CHARMAINE DAVIS
AU$7,500
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Man with Curious Dependancies
AU$1,800

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Chloe Caday's 'Passing Through' tells a story of h

Chloe Caday's 'Passing Through' tells a story of her deep connection to home – exploring the different landscapes that have shaped and defined her maternal identity. The works in her current solo exhibition 'Balikbayan / Returning Home' are a physical manifestation of her deep desire to remain connected to her homeland and the myriad experiences of hardship and persistence that she endures.⁠
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⚫️ View exhibition catalogue + available works via link in bio. Exhibition runs through till 5 April.⁠
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@chloe.caday #sydneyexhibition #SheOaks #sydneygallery #emergingartist #femaleartist #filipinoartist #oilpainting #contemporaryart

Visit our Woolloomooloo gallery today, Saturday 29

Visit our Woolloomooloo gallery today, Saturday 29 March from 10am-5pm to view Chloe Caday's 'Balikbayan / Returning Home' and Courtney McClelland's 'Holding Hands As The Sun Falls'.⁠
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⚫️ View exhibition catalogues and available work via the link in bio.⁠
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Drawing from her own personal experiences of migration and motherhood, Chloe Caday’s exhibition is centered around the Tagalog word balikbayan a common term that signifies connection, culture and identity in Filipino communities all over the globe. As a first-generation immigrant, Caday examines the conceptual notion of ‘returning home’, both in the sense of returning to her roots and her country of birth, and as well as returning to her own body and mind following the recent birth of her second child.⁠
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⁠The figures in Courtney McClelland's paintings are drawn from a place of desire, calling out to each other and crumbling in focus. Often ethereal, the distorted scenes take references from historical paintings of bacchanalia, rituals, brawls and Victorian fairies.⁠ Says McClelland of her work, "I paint indulgently, dancing the brush all over the canvas as the bodies reveal themselves. I feel like I’m chasing something, grappling between the viscosity of the paint, the figures and the feeling I want them to convey."⁠
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Exhibitions on show through till 5 April.⁠
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@chloe.caday @courtneymcclelland_ #sydneygallery #sydneyexhibition #sydneyartist #melbourneartist #emergingartist #femaleartist #contemporaryart

FINAL DAYS to view Charmine Davis' incredible seri

FINAL DAYS to view Charmine Davis' incredible series of paintings 'Waterways and Wonder' at R.M.Williams' 345 George Street, Sydney, flagship store.⁠
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⚫️ View catalogue + available work via the link in bio!⁠
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Charmaine Davis is a proud Gumbaynggir and Bundjalung artist based in Queensland. Her artistic creations are deeply connected to culture, homelands and family. Charmaine’s works are reflections of a spiritual connection to Country. Through ancestral links, family, identity and community Charmaine tells not only her own story, but that of her lineage and people.⁠
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“Water plays an integral part in the landscape of Country and that of its people,” says Charmaine. “It is the lifeblood of our world and supports a rich tapestry of life for all living things. Waterways and Wonder is a series of paintings that represent the rivers that give life and are connected to us all."⁠
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Exhibition will run till 31 March.⁠
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Featured work:⁠
'Sydney Harbour Waterways II', 2025, acrylic on canvas, 150cm H x 120cm W x 4cm D⁠
'Ashburton River, Minderoo', 2025, acrylic on canvas, 91cm H x 91cm W x 4cm D⁠
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@charmainedavis.artist @rmwilliams #FirstNationsart #RMWilliams #Indigenousart #sydneygalleru #sydneyexhibition #contemporaryart #abstractart #abstractpaintings⁠

It all starts with the body. We had an insightful

It all starts with the body. We had an insightful evening at Stylecraft, Sydney, learning about the ways in which art and design intersect through process and development. Designer Tom Skeehan and artist Kate Banazi generously laid their sketchbooks down to explore the parallels of their practice, both focused on and driven by the body through initial sketches yet producing different results.⁠
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Thank you to Kate, Tom, and the wonderful team at Stylecraft for a fabulous evening. A selection of Kate's work will remain on show at Stylecraft over the coming weeks - be sure to drop by!⁠
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@katebanazi @tom_skeehan @stylecraftfurniture @stylecraft.home #artdesign #interior #process #abstractart #sydneyevent #curator #artconsultant

The figures in Courtney McClelland's 'Soft-Edged C

The figures in Courtney McClelland's 'Soft-Edged Couple' are drawn from a place of desire, calling out to each other and crumbling in focus. Often ethereal, the distorted scenes take references from historical paintings of bacchanalia, rituals, brawls and Victorian fairies.⁠
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This work is currently on display as part of McClelland's current solo exhibition 'Holding Hands As The Sun Falls' through till 5 April. View catalogue + available work via the link in bio!⁠
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Says McClelland of her work, “I prioritise painting from a place of intuition and imagination. These paintings all begin in the same way, as I layer the canvas in stains to find impressions of bodies in the shapes left behind within the pigment. If I can’t find enough figures within the painting, I’ll draw from historical painting references, including those of bacchanalias, rituals, brawls and Victorian fairies. The bodies I paint are always nude – I’m drawn to the vulnerability in the rendering of flesh with the instinctual, complicated feelings it incites, everywhere from lust to horror."⁠
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@courtneymcclelland_ #sydneyexhibition #sydneygallery #emergingartist #figurativeart #figurativepainting #contemporaryart #womanartist

We are so excited to share the next iteration of C

We are so excited to share the next iteration of Curatorial+Co.'s Emerging Collectors' Club. SIGN UP via the link in bio to receive your newsletter TOMORROW Friday 28 March featuring an insightful collector Q+A as well as your exclusive invite to our April event.⁠
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This month we had the absolute pleasure of chatting with Bundjalung and Worimi Saltwater woman, Phoebe McIlwraith @northbutsouthhh as our featured collector. Phoebe is a multi-disciplinary Koori creative whose work traverses writing, journalism, illustration, and audio and literary editing. We loved hearing Phoebe's perspective on collecting and engaging with First Nations artists.⁠
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For our April event, we are thrilled to invite our Emerging Collectors' Club community to experience a sound bath in the gallery, led by multimedia artist Peta Morris @thekidcreative alongside Susie Dureau’s @sdureau upcoming exhibition, 'Rhythmia' (9-26 April).⁠
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Rooted in the medium of sound, Dureau’s latest series of paintings has evolved from spectrograms—visual representations of sound—that she has been collecting and recording since 2020. Expanding on the concepts that have informed her latest body of work, we invite you to join us for a special evening of meditation, sound, and energetic flow.⁠
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Join the club today!⁠
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#emergincollector #artcollector #sydneygallery #sydneyevent #artevent #soundbath #sydneysoundbath #meditation #interview #collectorinterview #FirstNationsart #Indigenousart ⁠

Kate Banazi's silkscreen print 'The Ornamental Pea

Kate Banazi's silkscreen print 'The Ornamental Pear' typifies themes of sensuality, body autonomy and self-image that underpin her practice, as she deliberately subverts the expectation that women’s bodies and their artistic expressions must be ornamental.⁠
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⚫️ View Banazi's work via the link in bio.⁠
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Says Kate, “This body of work is a self-portrait based on drawings of my own body. After so many years of basing my ideas on the drawings of others, it felt apt to focus on my own form as I entered the next phase of my life. My body is changing and the relationship I have with it is being pushed into unlearning.⁠
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“The shapes are pulled from the outlines of these drawings, entwined and meshing, evoking tumbling hormones and dizzying vertigo. The drawings go through multiple processes to get to graphic linear motifs and then again to be transferred to silkscreens. Each step is a move away from the source material thrust into isolation and brought back to an integrated form.”⁠
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@katebanazi #silkscreenprint #screenprint #abstractart #contemporaryart #sydneygallery #sydneyartist

Currently on show in the gallery is Chloe Caday's

Currently on show in the gallery is Chloe Caday's latest solo exhibition 'Balikbayan / Returning Home' through till 5 April.⁠ In this exhibition, Caday explores the creation of her identity and perceptions when the two cultures unite and how her displacement of Filipino heritage has affected her identity, particularly as a mother raising her children in the Victorian bushland. ⁠
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⚫️ View Caday's catalogue + available work via the link in bio.⁠
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Caday’s experience of motherhood has opened conversations and insights into the offerings and teachings passed down from her lineage, connecting her experiences of migration to her more recent experiences of motherhood. ⁠
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Photos courtesy of the artist.⁠
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@chloe.caday #sydneygallery #sheoaks #painter #oilpainter #contemporaryart #filipinoartist #landscapepainting #sydneyexhibition #figurativepainting

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