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Showing 985–996 of 1154 resultsSorted by latest

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X-Ray Of Instability

MITCHELL CHEESMAN
AU$5,000
VIEW

No Quarrels With A Match-Stick

MITCHELL CHEESMAN
AU$5,000
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In the Artificial

ISABELLE DE KLEINE
AU$6,000
VIEW

Body in Stone

ISABELLE DE KLEINE
AU$3,900
VIEW

Eroded

ISABELLE DE KLEINE
AU$3,900
VIEW

In Solitude

ISABELLE DE KLEINE
AU$6,000
VIEW

On the Edge, Time Pools, Shells Drift

INGRID DANIELL
AU$4,250
VIEW

Walking Over Drifts of Time, on the Edge of a Lagoon

INGRID DANIELL
AU$5,350
VIEW

Freddo

GEORGIA BISLEY
AU$5,750
VIEW

Golden Wattle

GEORGIA BISLEY
AU$5,750
VIEW

Stage Fright

GEORGA BISLEY
AU$5,750
VIEW

Protection

GEORGIA BISLEY
AU$5,750

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NOW OPEN is André de Vanny's debut solo exhibitio

NOW OPEN is André de Vanny's debut solo exhibition, 'The Diving Tree', available to view in our Woolloomooloo gallery and online via the link in bio.⁠
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JOIN US for the opening celebration TONIGHT Wednesday 5 February from 5:30-8pm.⁠
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In his debut solo exhibition, de Vanny presents a body of work that draws deeply from his childhood spent on Dja Dja Wurrung Country/Central Victoria, where the landscape left an indelible mark on his artistic practice. Through a physical and embodied approach to painting, each canvas becomes a reflection of de Vanny’s intimate relationship in the Goldfields region, particularly the arid terrain of the bushland surrounding Lake Eppalock.⁠
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Working from a palette of earth tones and deep tertiary hues, de Vanny seeks to reveal the poetic language of colour. In place of the parched earth, straw grass and ironbark trees of the Victorian bush, we see burnt ochre, sap greens, russet coppers and dark umber, reimagined in contemporary abstract form.⁠
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Exhibition runs through till 22 February.⁠
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@andredevanny #abstractart #sydneyexhibition #sydneygallery #abstractexpressionism #emergingartist #contemporaryart

NOW OPEN is André de Vanny's debut solo exhibitio

NOW OPEN is André de Vanny's debut solo exhibition, 'The Diving Tree'. De Vanny presents a body of work that draws deeply from his childhood spent on Dja Dja Wurrung Country/Central Victoria, where the landscape left an indelible mark on his artistic practice. JOIN US for the opening reception TONIGHT Wednesday 5 February from 5:30-8pm.⁠
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⚫️ View de Vanny's catalogue + available work via link in bio.⁠
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Whilst his subject matter draws upon the illusive qualities of memory and place, his process-based approach embeds a tangible sense of time and history into the work. Starting with large un-stretched sheets of heavy gauge canvas, de Vanny builds multiple layers of colour by staining, folding and drying the works over several months. This allows the natural evaporation process to push pigments across the canvas, generating organic marks that become held within the weave.⁠
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By working outdoors, dragging, sanding and scoring the surface, de Vanny seeks to reveal the subtle vulnerabilities of the canvas, offering up the materials of fine art to the elemental forces of nature.⁠
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Featured work:⁠
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'Engine Room'⁠
Acrylic on canvas⁠
126cm H x 98cm W⁠
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'Book of Revelation I'⁠
Acrylic on canvas⁠
165cm H x 244cm W⁠
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'Telegraph Road'⁠
Acrylic on canvas⁠
202cm H x 138cm W⁠
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'Mojave'⁠
Acrylic on canvas⁠
100cm H x 99cm W⁠
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'Breathing Room'⁠
Acrylic on canvas⁠
194cm H x 255cm W⁠
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'Ares'⁠
Acrylic on canvas⁠
266cm H x 193cm W⁠
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'Rook'⁠
Acrylic on canvas⁠
142cm H x 127cm W⁠
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Photo: Robert McGrath⁠
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@andredevanny #abstractart #sydneyexhibition #sydneygallery #abstractexpressionism #emergingartist #contemporaryart

The painterly composition of Diana Miller's 'Junct $The painterly composition of Diana Miller's 'Junction' appears fractured, with expressive brushstrokes that lead the eye in every direction, landing somewhere between organic and geometric. It is here Diana’s playful visual language comes to the fore, an expression of optimism evident in the artist’s emotional landscape and the fulfilment of her artistic process.⁠ ⁠ ⚫️ View all Diana's work via link in bio!⁠ ⁠ @dianamillerartist #contemporaryart #sydneygallery #byronartist #abstractart$

OPENING TOMORROW is André de Vanny's debut solo e

OPENING TOMORROW is André de Vanny's debut solo exhibition, 'The Diving Tree'. JOIN US for the opening reception tomorrow evening, Wednesday 5 February from 5:30-8pm.⁠
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⚫️ View de Vanny's catalogue + available work via link in bio.⁠
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Says de Vanny of his practice, "These works speak as much to the vibrant optimism of youth as to the melancholic beauty of a barren landscape longing for renewal. It’s a meditation on cycles of growth, determination and resilience. I’m searching for a kind of sublime beauty that is borne out of hardship.⁠
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"I’m interested in creating works that have been weathered or scarred in some way and have emerged even more robust and beautiful for it. Perhaps it’s a way of making sense of the past, revisiting the landscape of my youth, which holds both dark and golden hours."⁠
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@andredevanny #abstractart #sydneyexhibition #sydneygallery #abstractexpressionism #emergingartist #contemporaryart

Odette Ireland's work is a dialogue of polarising

Odette Ireland's work is a dialogue of polarising forces – the masculine and feminine, chaos and control, movement and stillness, strength, and fragility. Through this new body of work, Odette shares her perspective on the world around us through her exceptional craftsmanship and aptitude for materiality on which her art practice sits.⁠
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⚫️ View all Odette's available work via link in bio.⁠
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Inspired by nature and influenced by Alexander Calder’s mobiles, Ireland carefully crafts and assembles sculptural works that compel and intrigue. The unconventional combinations of materials, together with the unexpected use of movement, result in artworks that inspire an appreciation of composition and form as well as reminding us of the beauty within our natural landscape.⁠
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Featured work:⁠
'Porcelain Leaf Stem No. 1', 2023⁠
Porcelain, stainless steel and brass⁠
130cm H X 22cm W x 22cm D⁠
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@odetteirelandsculpture #ceramicsartist #sculpture #ceramicsculpture #hangingmobile #installationart #sydneyartist #curator #sydneygallery

Theresa Hunt's 'Quiet Dawn' brings a sense of sere

Theresa Hunt's 'Quiet Dawn' brings a sense of serenity to this beautiful space by @_sequencestudio, styled by @kerrieann.jones.⁠
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For the primary bedroom in our Wahroonga Residence a new wall was added to create a main bedroom space and a seperate walk through robe. Soft alabaster sconces, a feature artwork, and the subtle green bedhead panelling help for a layered and welcoming space.⁠
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Editorial styling by @kerrieann.jones⁠
Photographed by @_pabloveiga⁠
Built by @waller_corp⁠
Interiors by @_sequencestudio⁠
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@theresahuntartist #interior #contemporaryart #sydneygallery

Maria Kostareva strives for mindfulness through ca

Maria Kostareva strives for mindfulness through capturing and bringing to life images that we typically endure only for a short while. She seeks harmony between humankind and urban architecture, similar to the unity with nature.⁠
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⚫️ View Maria's work via link in bio!⁠
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Says Maria of this work, “These characters, while remaining formally alone, find a reflection of their inner world in surrounding spaces. I would like to convey the close connection between a person and a place. At first glance, these are unremarkable spaces, yet filled with personal experiences; they take on a new sound. Quiet walks, observation, self-talk, the process of cutting – everything becomes meaningful in a precious place. And our inner strength lies in the ability to create such places.⁠
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“Painting allows me to share a personal impression of place with the viewer, who breathes new meaning into it.”⁠
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Featured work:⁠
'Waxing Moon'⁠
Oil on canvas⁠
180cm H x 150cm W⁠
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@marikostareva #contemporaryart #sydneygallery #figurativeart #artcurator #sydneycurator

Visit us in our Woolloomooloo gallery today, Satur

Visit us in our Woolloomooloo gallery today, Saturday 1 February from 10am-5pm to view Ana Young's brilliant work, alongside a dynamic presentation of other recent work from selected Curatorial+Co. artists.⁠
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⚫️ View all work online via the link in bio!⁠
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Says Ana of her practice, “Paintings are a process of addition and attrition, they grow skins, I want to remember the singular reaction to the land, entering the silence and contemplative nature of being in the landscape. The work changes as memory and the physical processes in the studio allow for an independent rhythm and arrival point, both separate and allusive to information gathered from constant observation.”⁠
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Featured work:⁠
'The Night Has It’s Own Shadow I + II', 2024⁠
Gouache, oil pastel + graphite on canvas⁠
32.5cm H x 32.5cm W x 5cm D⁠
Framed in Tasmanian oak, stained charcoal⁠
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@anayoungartist_ #contemporaryart #sydneygallery #sydneyartist #abstractart

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