Natalie Rosin’s, 100 William, is part of her latest series, Built Portraiture. The series is an exploration and reinterpretation of forms, structures, and architectural patterns observed across various buildings within Sydney, the city Natalie calls home. Each piece focuses on a specific built structure located in Sydney and aims to sculpturally introduce their identity through form, pattern, silhouette, shadow, and movement.

Natalie says of this work: “This sculpture was inspired by another building along William Street in Woolloomooloo at number 100. I have always admired this concrete form during my journey towards the city, almost like a modern brutalist form of hieroglyphics, this sculpture aims to mimic the concrete patterns moulded along the street facade.”