Morgan says of this work, “In my work I explore and reinterpret the medium of painting, and more recently, sculpture. From a conceptual approach, I aim to dissect painting into its discrete elements, such as linen, paint or stretcher bars, to enquire into what makes a painting in the digital age. By creating formal studies into material, I explore what I call the ‘virtual gaze’, that is, how our mode of perception is shifting as our lives are increasingly mediated by the screen.
Pictured as pair in details with Sad Diptych 2
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Framed in Tasmanian oak.
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