This work is part of Simon Cardwell’s 2024 solo exhibition, The Coming Storm.

A sense of trepidation is imbued through these meticulously constructed images. Simon oscillates between backdrops of dark clouds, open skies or pink-orange sunset to communicate the uncertainty of change. The timeless allure of flowers serves to beautify the images but also reminds the viewer that the scene is a construct. Foreboding is present within each element of the composition, through the placement of each wildlife species creating behavioural tension that mimics posturing.

Simon uses the attractiveness of these natural elements to allure the viewer into the image and then expose dark moments hidden within the work. The fundamental power of Simon’s work is that they are both familiar and unseen – another impossibility that he brings to life in his photographs.

Says Simon of this work, “Two small innocent creatures come together. Having pre-visualised the image, I was able to coax the finch to find the perfect angle where she appears to be gazing over the flower. Working with birds is a serene experience that requires a calm and gentle approach. Because they are small and easily stressed, I only photograph them for short periods, carefully observing them to ensure they remain at ease. I strategically place objects for them to land on to help achieve the desired pose. Lighting is always my primary tool in shaping the narrative, much like in feature films, where it is crucial for evoking emotion and mood.”