Mim Fluhrer’s, Timelines, utilises vibrant and earthy tones, whilst experimenting with compositional structure. The play between organic forms and repeated mark-making is another key characteristic of the artist’s paintings. Mim explores ideas of ritual in her mark-making, with the intention of making her work a place for audiences to quieten and connect. Embedded in this process is her own personal exploration of her life, motherhood, honouring her ancestry of Eastern European decent whilst residing on Australian soil.

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