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Showing 649–660 of 715 resultsSorted by latest

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The Shadow

SIMON CARDWELL
AU$4,100
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A Million Universes

SUSIE DUREAU
AU$7,500
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Deliverance Painting

MORGAN STOKES
AU$7,500
VIEW

Verb Painting

MORGAN STOKES
AU$6,900
VIEW

Metropolitan II

TRACEY LAMB
AU$8,000
VIEW

Metropolitan III

TRACEY LAMB
AU$8,000
VIEW

Metropolitan I

TRACEY LAMB
AU$8,000
VIEW

Cross Current – Coastal

MELISSA BOUGHEY
AU$6,200
VIEW

Jungle Dinner

KIATA MASON
AU$4,100
VIEW

Shears

ANNA HORNE
AU$2,500
VIEW

Farmer In Brown Field

NUNZIO MIANO
AU$3,600
VIEW

Human Rock Strata

AMANDA SCHUNKER
AU$5,900

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How fun is this space! Maria Kostareva's 'Return'

How fun is this space! Maria Kostareva's 'Return' sits perfectly in this home by @reveldesign.com.au and styled by @hollyirvinestudio⁠
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BONDI SCOOP | A little scalloping goes a long way.⁠
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Coming soon.⁠
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Build by @yakkabuildofficial⁠
Joinery by Eastcoast Joinery⁠
Photography by @fiona_susanto⁠
Photo styling by @hollyirvinestudio⁠
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#RevelDesign #InteriorDesigner #Architect #SydneyArchitect #SydneyInteriorDesigner⁠
#AustralianDesigner #AustralianArchitect #FamilyHome

Leonie Barton's 'Limestone Block 6' is inspired by

Leonie Barton's 'Limestone Block 6' is inspired by a large Limestone block located in her garden. Originally intended for a sculptural project that her physical limitations prevented, Barton turned to painting as a stationary and creative outlet.⁠
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⚫️ Explore Barton's available work via the link in bio.⁠
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The Limestone block becomes a focal point, observed through shifting natural light, its changing textures and imagined transformations inspiring a series of paintings. Barton’s process involves layering wax, oil, and pigment on the canvas, responding intuitively to emerging shapes and colours. The works unfold organically, compositions are not predetermined, allowing emerging shapes to evolve and colours to change. ⁠
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Says Barton, “For me as an abstract painter, it’s all about the process, the physical act of painting. An opportunity to be still and contemplate. Whilst I might reference life, things seen, and experiences had, it is simply a starting point and from there, it’s just time spent in the studio doing, responding to each step until the painting has no further requirements of me. When it feels balanced and quiet, it’s done.”⁠
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@leoniebarton #abstractart #minimalistart #contemporaryart #sydneygallery #smallartwork #artcurator

NOW OPEN is Katrina O'Brien's latest body of work

NOW OPEN is Katrina O'Brien's latest body of work 'The Unearthing of Woman' in our Woolloomooloo gallery through till 17 May.⁠
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⚫️ View catalogue + available work via the link in bio.⁠
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Says O'Brien of her latest exhibition, "The last few years saw me knee-deep in mud, fast sinking and eventually in some kind of dark space. I’d been through a series of experiences where I nearly lost myself, but I knew I needed to protect a part of myself. There were seeds that I carried in a small box with me, through those dark times; seeds of things I wanted to keep safe and grow if I ever got the chance to live again."⁠
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"The works oscillate between the micro and macro structures of the universe—depicting atoms and photons, to a gathering of constellations and nebulae. Some works step so far inwards, to the beginning of life in the womb."⁠
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@trinamobrien #abstractart #contemporaryart #sydneygallery #sydneyexhibition #emergingartist #artcurator #worksonpaper

Says Charmaine Davis of her practice, “The lands

Says Charmaine Davis of her practice, “The landscapes of Country have been my inspiration. Conveying the lay of the land and First Nations people’s connection to place. Rivers and mountains are themes that have always run through my work. A sense of place also is important in my works. That sense of belonging is very powerful. Grounds you.⁠
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“Connection to history and Country has always grounded my practice within a deeply authentic place. I am tracing over the landscapes with my brush, feeling my way into the mystery of our lives and the places our families have lived. I have a strong sense of place to my homelands connecting me to Country. As I travel this Country I feel connected with the landscapes.”⁠
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Featured work:⁠
'Heading South Landscape I', 2024, acrylic on canvas, 122cm H x 122cm W x 4cm D⁠
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Explore Charmaine Davis' work via the link in bio.⁠
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#firstnationsartist #indigenousartist #contemporaryart #abstractart #sydneygallery #emergingartist

NOW OPEN. Curatorial+Co. presents a new body of wo

NOW OPEN. Curatorial+Co. presents a new body of work by mixed media artist Katrina O'Brien titled 'The Unearthing of Woman' in our Woolloomooloo gallery from 30 April - 17 May. JOIN US TONIGHT Wednesday 30 April from 5:30-8pm for the opening reception.⁠
⁠
⚫️ View catalogue + available work via the link in bio.⁠
⁠
Says O'Brien of her latest exhibition, "The last few years saw me knee-deep in mud, fast sinking and eventually in some kind of dark space. I’d been through a series of experiences where I nearly lost myself, but I knew I needed to protect a part of myself. There were seeds that I carried in a small box with me, through those dark times; seeds of things I wanted to keep safe and grow if I ever got the chance to live again."⁠
⁠
"The works oscillate between the micro and macro structures of the universe—depicting atoms and photons, to a gathering of constellations and nebulae. Some works step so far inwards, to the beginning of life in the womb."⁠
⁠
Featured work:⁠
'She Whispered Your Name Over The Surface of The Deep', 2025, ink, acrylic, graphite + conte on Arches paper, 130 x 108 cm⁠
'Written in Stone', 2025, ink, acrylic + graphite on canvas, 132 x 117 cm⁠
'Autumnal Winds, 2025' ink, acrylic, oil pastel + graphite on Arches paper, 130 x 108 cm⁠
'Pale Blue Dot, 2025', ink, acrylic, oil pastel + graphite on canvas, 117 x 86 cm⁠
'The Garden', 2025, ink, acrylic, oil pastel + graphite on Arches paper, 130 x 175 cm⁠
'Fertile Ground (Terraform Me)', 2025, ink, acrylic, oil pastel + graphite on canvas, 132 x 182 cm⁠
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Photo: @docqment⁠
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@trinamobiren #abstractart #emergingartist #sydneygallery #sydneyexhibition #contemporaryart #sydneyevent #artcurator

Susie Dureau's 'Call My Name' looks sensational in

Susie Dureau's 'Call My Name' looks sensational in this lovely home by @pammentprojects and styled by @alexandragordonstylist. #Repost from @pammentprojects⁠
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COOGEE PROJECT REVEALED⁠
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A dual occupancy transformation featuring two three-storey residences with private lifts, pools, and refined European-inspired finishes. ⁠
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Architecture @common_office_design⁠
Interior Design @phoebenicol.interiors⁠
Build @pammentprojects⁠
Photography @hamishmcintosh⁠
Styling @alexandragordonstylist⁠
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#architecturalbuilder #sydneybuilder #customhomes #highenddesign #europeaninspired #architecturalprojects #interiordesign #homedesigninspo #residentialdesign #designandbuild #luxuryrealestate #buildingexcellence #neutralhome #beautifulhomes #architecturedesign #interiordesigninspo

Opening tomorrow is Katrina O'Brien's latest body

Opening tomorrow is Katrina O'Brien's latest body of work, 'The Unearthing of Woman,' showing in our Woolloomooloo gallery from 30 April to 17 May. JOIN US for the opening reception tomorrow evening, Wednesday, 30 April from 5:30-8pm.⁠
⁠
⚫️ View O'Brien's catalogue + available work via the link in bio.⁠
⁠
Says O'Brien of this body of work, "The process felt a little like me becoming a mother. My body became this alien landscape, bordering on hostile for both my daughter and me. Somehow, we both made it through together, and any fears I’d had of losing myself in the process were thrown away when we met. My creativity wasn’t gone, I wasn’t lost. She unearthed something in me; her bright, shimmering light was the skeleton key that unlocked the door I was hiding behind."⁠
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@trinamobiren #contemporaryart #abstractart #sydneygallery #sydneyexhibition #sydneyartist

Says Karlien van Rooyen of her work 'Chalice For A

Says Karlien van Rooyen of her work 'Chalice For A Centipede', “Ode to the giant Australian centipede, Ethmostigmus rubripes. This beauty bit me on my forehead three times whilst sleeping under a gubbinge tree on Goolarabooloo Country. I had previously shared the canopy of ‘starlight-shade’ with two friends, but this night I was alone."⁠
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⚫️ Explore van Rooyen's available work via the link in bio.⁠
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The story continues, “Unbeknownst to me, there was a young men’s-business tree growing inside the canopy too. An elder informed me the next morning of my visitor’s sharp message to get out of there. I don’t know why I took the dagger for the two boys as well, but three blows to my frontal cortex was the most searing wake-up call I’ve had in my life.⁠
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"I initially thought I dreamt the first bite (because who expects a dagger in your brain in the middle of the wilderness), but by the third I shot for my torch and found the centipede raised on its hinds like a cobra in front of my face. This venomous arthropod transmits its poison via modified legs, known as foripules, that curve around the head like fangs. It was a sobering sight, and I never slept under that Gubbinge without my chaperones again.”⁠
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@karlien_vanrooyen #ceramicartist #ceramicist #southafricanartist #sydneygallery #graphicceramic #contemporaryart #contemporaryceramics

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