This work is part of Diana’s solo exhibition, Dropping In, a collection of abstract works that exist as unfiltered expressions of the Self. They marry Diana’s interest in the non-physical with the physical act of painting—expressions of her subconscious and the process by which she manifests the illusive into the palpable.
Connecting with the dynamic relationships between shape and line found in her paintings, Diana extends into a tactile and metallic dimension with her copper wall hangings. Acting as a complementary extension of her artistic expression, the copper works resemble motifs and relationships that characterise her paintings and enhance the overall sensory experience for the viewer. Together, they form a cohesive body of work that speaks to Diana’s multifaceted artistic vision, where surrender and spontaneity bridge the gap between different mediums, creating a harmonious dialogue between painting and sculpture.
Diana says of this work: “These copper wall hangings are further explorations of shape relationships and bring an added medium into the mix alongside her paintings.”
Artwork will patina over time.
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