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Art
Artists
Exhibitions
Art Consultancy
About
Contact
Insights

Ceramics

ARTISTS

Charmaine Davis
Emily Hamann
Emma Lindegaard
Humble Matter
Ileigh Hellier
Ingrid Daniell
Isabelle de Kleine
Jasmine Poole + Chris Sewell
Karlien van Rooyen
Katarina Wells
Kate Banazi
Katrina O’Brien
Kerryn Levy
Kristiina Engelin
Leonie Barton
Lilli Waters
Lily Cummins
Lucas Wearne
Maria Kostareva
Melissa Boughey
Mitchell Cheesman
Morgan Stokes
Nunzio Miano
Odette Ireland
Scott McNeil
Susan Chen
Susie Dureau
Tracey Lamb
William Versace

Email: [email protected]
Phone: +61 (2) 9318 1728
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ON SHOW. Samantha Malkadja learned to weave from

ON SHOW. Samantha Malkadja learned to weave from her mother Frewa Bardaluna, a master fibre artist who had numerous exhibitions with leading Australian commercial galleries. Samantha’s work is distinguished by her soft tonal range, strong sense of design and intricate technique. Samantha makes panels and 2D sculptures which depict local fish and animal species and often yawkyawks, female water spirits.⁠
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Malkadja predominately uses gun-menama (pandanus spiralis) in her works. To prepare the pandanus the inner leaves of the plant are collected using a hook. Each V-shaped leaf is first split in half along its spine. After removing the sharp spines, the two surfaces of the leaf are then split away from other. After this preparation, the pandanus is boiled in a billycan with plant materials to dye the fibre. Like her contemporaries, Malkadja only uses natural dyes and achieves enormous variation. ⁠
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Featured artwork: 'Nawarlah - Brown River Stingray 2', 2025, pandanus (Pandanus Spiralis), bush cane (Flagellaria Indica), natural dyes, 67 x 166 cm⁠
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Presented in partnership with the National Indigenous Art Fair and co-curated by emerging Dunghutti/Gomeroi curator Nioka Lowe-Brennan, 'The Colour of Country' will be on show in our Woolloomooloo gallery till 19 July. and online via the link in bio.⁠
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@maningridaarts @nationalindigenousartfair @niokaraine #FirstNationsart #Indigenousart #ArtCentres #NAIDOC #NAIDOCWeek #NIAF #nationalindigenousartfair #sydneyexhibition #sydneygallery

FINAL WEEK to view 'The Colour of Country' - an in

FINAL WEEK to view 'The Colour of Country' - an incredible showcase of First Nations artistic talent from across the country, presented in partnership with the National Indigenous Art Fair and co-curated by emerging Dunghutti/Gomeroi curator Nioka Lowe-Brennan.⁠
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On show through till this Saturday, 19 July in our Woolloomooloo gallery or online via the link in bio!⁠
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Featured artwork: Dorothy Dixon, 'Bush tucker Dreaming', acrylic on canvas, 61cm x 61cm. Courtesy of Barkley Regional Arts.⁠
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@nationalindigenousartfair @niokaraine @artistsofbarkley #FirstNationsart #Indigenousart #ArtCentres #NAIDOC #NAIDOCWeek #NIAF #nationalindigenousartfair #sydneyexhibition #sydneygallery

Maria Kostareva's 'On The Sunset' and Katarina Wel

Maria Kostareva's 'On The Sunset' and Katarina Wells' 'Pot With Drips' elevate this fantastic space by @reveldesign.com.au, styled by @hollyirvinestudio.⁠
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HAWKER HIP | Light, volume, connection.⁠
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A glimpse inside our Hawker Hip project, where a generous new extension has transformed a once dark and awkward family home, opening it up to the garden and creating a natural gathering space.⁠
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Explore more via the link in our bio.⁠
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Build by @statusliving_⁠
Photography by @fiona_susanto⁠
Photo styling by @hollyirvinestudio⁠
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#RevelDesign #InteriorDesigner #Architect #SydneyArchitect #SydneyInteriorDesigner⁠
#AustralianDesigner #AustralianArchitect #FamilyHome

Says Charmaine Davis of her work, “The landscape

Says Charmaine Davis of her work, “The landscapes of Country have been my inspiration. Conveying the lay of the land and First Nations people’s connection to place. Rivers and mountains are themes that have always run through my work. A sense of place also is important in my works. That sense of belonging is very powerful. Grounds you.⁠
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“Connection to history and Country has always grounded my practice within a deeply authentic place. I am tracing over the landscapes with my brush, feeling my way into the mystery of our lives and the places our families have lived.⁠
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“I have a strong sense of place to my homelands connecting me to Country. As I travel this Country I feel connected with the landscapes.”⁠
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Explore Charmaine's available work via the link in bio!⁠
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Featured work: 'Urarrar - Bremer River Landscape', 2023, acrylic on canvas, 122 x 122 x 4 cm⁠
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@charmainedavis.artist #indigenousartist #indigenousart #firstnationsart #contemporaryart #sydneygallery

Visit our Woolloomooloo gallery today, Saturday 12

Visit our Woolloomooloo gallery today, Saturday 12 July from 10am-5pm to view an incredible selection of First Nations artwork from seven remote Art Centres across the country. Curatorial+Co. is honoured to be partnering with the National Indigenous Art Fair, alongside emerging Dunghutti/Gomeroi curator, Nioka Lowe-Brennan, to present these phenomenal works.⁠
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⚫️ Explore exhibition catalogue + available work via the link in bio!⁠
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"This exhibition showcases traditional forms of art such as bark painting, pandanus and bush cane weaving, and the sculpting of clay bagu, alongside contemporary expressions using bright acrylics and repurposed metal. The Colour of Country speaks to the enduring connection between land, material, and story." (Nioka Lowe-Brennan, 2025)⁠
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@nationalinidgenousartfair #FirstNationsart #Indigenousart #ArtCentres #NAIDOC #NAIDOCWeek #NIAF #nationalindigenousartfair #sydneyexhibition #sydneygallery

ON SHOW. Glen Namundja has painted a Namarnde Devi

ON SHOW. Glen Namundja has painted a Namarnde Devil, one of many types of Mimi spirits that inhabit the sandstone escarpment country of western Arnhem Land. Mimis are the original spirit beings. According to the Kunwinjku people of western Arnhem Land, they existed before humans and taught them everything they needed to know – ceremonies, dance, song, hunting and all bush skills.⁠
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These spirits continue to live in rocks, trees, and caves in the stone country, but are rarely seen by humans. They are frequently seen in rock art around Oenpelli as small dynamic figures. Most Mimis are regarded as being mischievous but not threating to humans, unlike the Namarnde Devil depicted in this painting which is considered slightly ‘cheeky’, or dangerous.⁠
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Glen has depicted the Namarnde devil with one leg chopped off. In the top right corner is a Namarnkol (Barramundi) in a Mandjabu (Fish trap).⁠
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Presented in partnership with the National Indigenous Art Fair and co-curated by emerging Dunghutti/Gomeroi curator Nioka Lowe-Brennan, 'The Colour of Country' will be on show in our Woolloomooloo gallery till 19 July. and online via the link in bio.⁠
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@injalakarts @nationalindigenousartfair @niokaraine #FirstNationsart #Indigenousart #ArtCentres #NAIDOC #NAIDOCWeek #NIAF #nationalindigenousartfair #sydneyexhibition #sydneygallery

We are proud to reflect on this extraordinary Art

We are proud to reflect on this extraordinary Art Consultancy project from 2023, in which Curatorial+Co. was engaged to realise two significant murals created by Dharug artists Chris and Leanne Tobin at Arthur Phillip High School in Parramatta, Sydney.⁠
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The large scale artworks vividly capture the historical meeting between Governor Arthur Phillip and the Barramadagal. The Tobin siblings are direct descendants of Maria Lock, the first Aboriginal child to enrol in the Parramatta Native Institute, a school set up for Aboriginal children under Governor Macquarie. Her father, Yarramundi, from the neighbouring Boorooberongal clan, is recorded meeting amicably with Governor Phillip on his early excursions into the freshwater clan Countries of the Dharug in 1791.⁠
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Says Chris Tobin, “We are aware of the large mix of cultural backgrounds that now make up Arthur Phillip High School and wanted to celebrate the inclusive culture that the school is striving for today.”⁠
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CLIENT: NSW Department of Education⁠
ARTISTS: Chris Tobin + Leanne Tobin⁠
INSTALLATION: @jasonwing1 + @maddisongibbswing⁠
PHOTOS: @itsoutnow.co⁠
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@naidocweek #NAIDOC2025 #NAIDOCWeek #StrengthVisionLegacy #sydneyexhibition #sydneygallery #eora #firstnationsart #indigenousart #contemporaryart #publicart #mural

First Nations and Hungarian woman and artist, Tiar

First Nations and Hungarian woman and artist, Tiarna Herczeg's painting 'A Part of Me Left' is an anchor in her latest series titled 'Salt Air on Skin: On Stillness, Colour, and Feeling Whole.'⁠
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Says Herczeg, "It is the one painting that doesn't mark a memory but just embodied feelings. It marks this feeling of emptiness after loss, but is grounded by its colours - blue and orange / earth and water. The things that hold us and keep us alive - a full circle.'⁠
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⚫️ Explore Herczeg's available work via the link in bio.⁠
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Through her work, Herczeg aims to share her experience of dual identity through storytelling. Her vast planes and expressive compositions symbolise how she sees the land, whilst her palettes are tied to her inner psyche and physicality, her spirituality and feelings; one exists in perpetuity and the other only exists for a moment in time.⁠
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@tiarna.herczeg #NAIDOC2025 #NAIDOCWeek #StrengthVisionLegacy #sydneyexhibition #sydneygallery #eora #firstnationsart #indigenousart #contemporaryart

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