Exhibitions

Visit R.M.Williams' Flagship Store at 345 George St Sydney to experience a quarterly Exhibition Program, curated by Curatorial+Co. Leonie Barton will be the second artist to exhibit from October - December 2024 inside the flagship store, featuring all-Australian furniture design and makers for the iconic Australian brand.

Curatorial+Co. is thrilled to present a new series of sculptural work by Melbourne artist, Tracey Lamb.

Says Melissa of her upcoming series, "Inspired by other places but containing the DNA of my daily habits, this body of work reverts to my home ground. The farm where I have grown and nurtured, planted and harvested is intrinsic to who I am and the reoccurring themes of my visual language."

Visit R.M.Williams' Flagship Store at 345 George St Sydney to experience a quarterly Exhibition Program, curated by Curatorial+Co. Leonie Barton will be the second artist to exhibit from October - December 2024 inside the flagship store, featuring all-Australian furniture design and makers for the iconic Australian brand.

Curatorial+Co. is thrilled to present a new series of sculptural work by Melbourne artist, Tracey Lamb.

Says Melissa of her upcoming series, "Inspired by other places but containing the DNA of my daily habits, this body of work reverts to my home ground. The farm where I have grown and nurtured, planted and harvested is intrinsic to who I am and the reoccurring themes of my visual language."

Previously Darlings, Curatorial+Co. presents DARING, 2024. Our highly anticipated end of year group show featuring small works from Curatorial+Co. represented artists and a selection of guest artists.

Curatorial+Co. is thrilled to present a new body of work by Sydney-based abstract artist, André de Vanny.

'The Song of Increase' is the most joyful emanation produced by a colony of bees. Is this possible for humans also? How do we find ways to raise our vibration, particularly if we find ourselves in the depths of grief and despair? Is it possible to do so collectively? Where do we return to, where time stands still?

The balance, simplicity and symmetry of each vessel’s form allows Katarina to focus on the surface of the work which therefore  becomes the hero. Through her work, Katarina hopes to leave the viewer with a sense of serenity and introspection that a simple stroll along the water’s edge can evoke. 

Both literal and philosophical, 'Skeleton' is a dialogue between body and material; a contemplation on what makes a painting in the digital age. Recalling the movements of Arte Povera, Mono-Ha and Minimalism and considered from a post-internet lens, 'Skeleton' transcends the canvas, acting as a meditation on the seen and the unseen.

Curatorial+Co. presents a new series of photographic work by Sydney-based artist, Simon Cardwell. By employing symbols from the natural world, Simon creates a sense of drama evoking emotional responses to the dark underbelly ever present in the natural world.

A new photographic series by creative duo, Jasmine Poole + Chris Sewell emerges from intimate narratives crafted to mirror universal experiences of change, regret, and loss. Sometimes it just takes one object to inspire a conversation – a missing photograph from a wall, a love note in a bouquet, a deflated balloon in the backseat of a car. Who are they, what has been left unsaid and where do we go from here?

Curatorial+Co. presents a new body of work by Kasper Raglus in our Woolloomooloo gallery from 11 - 21 September 2024. Kasper's upcoming exhibition 'Unfold' is a broad meditation on the various states of life, love and connection.

Curatorial+Co.'s 2024 Sydney Contemporary presentation showcases a powerful exploration of female corporeality by regional artists Amber Hearn (painting) and Aleisa Miksad (ceramics), visualised through a lexicon of forms.

Curatorial+Co. is thrilled to present a new body of work by multi-disciplinary artist, Kate Banazi, in our Woolloomooloo gallery from 21 August - 7 September 2024. Says Kate, "This body of work is a self-portrait based on drawings of my own body. After so many years of basing my ideas on the drawings of others, it felt apt to focus on my own form as I entered the next phase of my life."

Georgia Bisley’s life-size abstract ‘tapestries’ are personal artefacts of sorts where geometries, materiality and colour speak to parts of her identity. Heraldic in nature, her textiles emulate shield-like forms that reference armours of Bisley’s Celtic heritage.

Karlien grew up in the small town of Kommetjie at the foot of a mountain on South Africa’s Cape Point. Affronted by unrelenting ocean storms, the town was also home to a wild and diverse ecosystem. The living space in her house was adorned by an archive of natural objects – whether inherited or collected on hunting and foraging adventures, this trove of objects formed visual imprints on her imagination.